Oh my, how did you know what I was gonna say?whyterabbyt wrote:broken records are always the most compelling.
I'm not even going to say anything at this point. It's point.
Oh my, how did you know what I was gonna say?whyterabbyt wrote:broken records are always the most compelling.
yes, its not very profitable. as was agreed about a hundred of the OP's threads on the same subject ago.Sparky77 wrote:NPR did a report on what musicians are making on streaming sites.
The tiny percentage the artist gets is disturbing when compared to what everyone else gets.
The lawyers seem to be working for the wrong side.
As always...
Well, I'd prefer that people listen to my music rather than people not listening to my music. So I give it away for free, though I put as much effort into it as the next guy. But I understand that you can only listen to 60 minutes of music within an hour....whyterabbyt wrote:yes, its not very profitable. as was agreed about a hundred of the OP's threads on the same subject ago.Sparky77 wrote:NPR did a report on what musicians are making on streaming sites.
The tiny percentage the artist gets is disturbing when compared to what everyone else gets.
The lawyers seem to be working for the wrong side.
As always...
The problem starts when you try making money with your music. But that's another discussion.Chapelle wrote:Why is this a problem? It sounds reasonable to me. What would you suggest instead?Tricky-Loops wrote:The whole system - the more plays, the more money - is the problem!
The problem is that a few famous artists get pretty rich and the majority keeps on being poor. New artists should be better supported and should get more from the cake!Chapelle wrote:Why is this a problem? It sounds reasonable to me. What would you suggest instead?Tricky-Loops wrote:The whole system - the more plays, the more money - is the problem!
To play Devil's advocate; why? Why should someone get cake just for being 'new?'Tricky-Loops wrote:New artists should be better supported and should get more from the cake!
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