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P42 Climax Line Amp

Reviewed By saxophonick [all]
October 10th, 2021
Version reviewed: 1.8 on Mac

As soon as I inserted the plugin, I was pretty impressed.

At my studio we work a lot with subtle saturation for tracking, doing so I get to use a diverse array of preamps, from vintage tube preamps, 60s/70s transformer-based, European, American up to more modern gear.

As I was impressed upon listening to the P42, I checked to see if it wasn't the init setting that was louder than my unprocessed material, which is a trick too often seen and heard. But no, peak levels were similar, but I could hear a beefing up of the low end, more density in the sound from the saturation compression and harmonic colouration. Also, transients didn't get butchered but so slightly sweetened.

Whatever track or source material you're working on, boosting the saturation slider emphasises the aforementioned effect on the sound and it takes quite some action before the sound breaks up. When it does it sounds sweet.

I must say that while I give it 5 stars for the sound, which matters most, I would have given less for the GUI which at first sight gave me a « made with Synthedit » déjà vu of when I started out with free plugins, associated sometimes with less reliable ones.

However, in the week that I've been demoing it, sometimes with many instances it has been rock solid, not a glitch.

While priced a bit strong, it works on a broad spectrum of material and with the available controls can be setup for finesse or scorching hot sound.

Definitely worth trying.

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TDR Kotelnikov GE

Reviewed By saxophonick [all]
March 8th, 2015
Version reviewed: 10.6.8 on Mac

Does what it says it will. Brilliantly. Although labelled as mastering buss processor, it is equally at ease on mix buss, drum buss..any other buss or track. Its most discernable features vs the competition for me are unobtrusiveness, transparency, and subtle euphonical way it treats audio, which makes Kotelnikov sound good at many different settings, whether light- or heavyhanded. I have been looking for a transparent software-based compressor for long, while many come close, this one shines above them. Equal loudness is a godsend for really hearing what you are doing to your signal, without becoming biased with the louder-is-better phenomenon. In the hardware world, you would have to look in the most expensive segment to find a similar level of control and "invisibility". Some features to my knowledge do not exist in hardware, certainly not in one unit. Pricing is incredibly humble. No-brainer deal.

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