No other chorus unit has earned the "Holy Grail" moniker quite as honestly as the coveted Dytronics CS-5 Tri-Stereo Chorus. A three‑channel dream machine favored by '80s L.A. session royalty ‑ including Michael Landau, Steve Lukather, and Dann Huff ‑ the hard‑to‑find CS‑5 leaves guitar and keyboard tracks dripping with lush vibe and character.
Developed by Softube, and available exclusively for UAD hardware and Apollo interfaces, the Dytronics Tri‑Stereo Chorus plug‑in gives you all the expansive depth of the original's three independent bucket‑brigade delay lines, along with new "plug‑in‑only" features:
King of Chorus
The famed Dytronics Tri‑Stereo Chorus has left its swirling, sultry signature on albums by Michael Landau, Stevie Nicks, Boz Scaggs, Chaka Khan, Sheena Easton, and hundreds of others. In the '80s, guitar players from Steve Lukather to Dann Huff relied on it for dense stereo chorus sounds that went far beyond mere single- or double‑channel stompbox units.
Layers Upon Layers
Especially ideal for layering lead and rhythm sounds, the Dytronics Tri‑Stereo Chorus is built around three distinct, and manually adjustable, bucket-brigade delay channels ‑ Left, Center, and Right ‑ each swept back and forth by a dedicated LFO, and mixed with the dry signal to create the unit's characteristic shimmer.
Two Modes
The Dytronics' simple, powerful LFO section boasts two modes, Preset and Manual, which can be run independently or in parallel, each with its own LFO waveform and character. Preset mode offers more complex, shimmering tones, while Manual yields thick, classic chorus textures. Or you can run them together to create your own ultra‑lush neo-classic chorus recipes on guitars, synths, vocals, and more.
Added Features
The UAD Dytronics Tri‑Stereo Chorus plug‑in makes the original's savvy workflow and easy adjustability even more intuitive. Included is the added Choral enhancement feature of the ultra-rare MkII version of the hardware unit, as well as brand new stereo input not available on the original hardware.
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