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Bom Shanka Machines saw its roots in the summer of 2017, when Rich Elmes decided that missing some of his favourite Windows only plugins on macOS (such as mgTriggerGate and Whirlpool) could only be remedied by building them himself. Starting with asimilonGate he started learning the necessary tools to realise this vision.

Rich has a long history of music production, having been an electronic musician since 1996 and producing under various different monikers either solo (Asimilon and Teknoton) or in collaboration (Psymmetrix and others) and an even longer history of computer programming; using this knowledge and experience, along with the input from his record label artist colleagues reflects in Bom Shanka Machines creation of effective tools for music production.

Our on-going mission is to produce useful and (hopefully) innovative plugins for all Windows, macOS & Linux based musicians.

Products by Bom Shanka Machines

Latest reviews of Bom Shanka Machines products

occularScope

Reviewed By psydburnz [all]
May 19th, 2023
Version reviewed: 1.0 on Mac

Great free plugin.. the psy boys know how to make good plugins. Their filter is ace too and it's free! I always have the occular scope on my master along with SPAN for analysis. Thanks for a great free plug guys.

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plasticityFilter

Reviewed By Debutante [all]
April 11th, 2020
Version reviewed: 1.0.9 on Windows

Baaaaaaaaaaaaaddd!#@!!!$ BAAAD - ASSSSS - MMAAMAAA - JAMMAA! Some of you might remember the oldschool North Pole Filter?! This monster picked up those pieces very nicely indeed. Very simple interface. Decent CPU usage. Sound is Fuh-LAMING!!! Very sweet DENSE filter cutoff quality with an insanely complimentary distortion algorithm. C(s)hould cost money. Eleventeen out of Eleventeen!!!.

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aardvarkkPhaser

Reviewed By SmoothMountain [all]
February 10th, 2020
Version reviewed: 1.05 on Linux

I really like this plugin! I've been looking for a phaser/flanger that can be manually controlled for a long time, and here it is.

I set it to "manual", set the LFO depth to 0, and control the "Manual" knob through any number of different automation parameters. It's great for adding some zing to a scratch sample, especially when I control it from the amplitude of the sample (kind of like an envelope follower, but with flange instead of a filter).

I'm running Reaper 6.03 native Linux (Ubuntu 18.04). Great stuff, thanks for supporting Linux.

One caveat; I have to use version 1.05. Version 1.06 won't run. Reaper gives the following error:

swell: dlopen() failed: /usr/lib/x86_64-linux-gnu/libcurl.so.4: version 'CURL_OPENSSL_3' not found (required by /home/me/.vst/aardvarkkPhaser.so)swell: dlopen() failed: /usr/lib/x86_64-linux-gnu/libcurl.so.4: version 'CURL_OPENSSL_3' not found (required by /home/songsmith/.vst/aardvarkkPhaser.so).

This is basically a libcurl V3/V4 issue. Ubuntu 18.04 uses libcurl V4. Odd that the newer plugin version (1.06) requires libcurl V3, while the older version (1.05) works with libcurl V4.

No worries on my part, I had already downloaded and tested the 1.05 version and had been loving it, so I bought it. When the 1.06 version wouldn't work, I just put the old 1.05 version back, opened it in Reaper, put my registration key in it, and am happy to support the developers of this fine plugin.

I gave it 5 stars even though I can't run the latest version (1.06) on Ubuntu 18.04 (the latest LTS release), because I'm having so much fun using 1.05.

A tip for Linux users: When testing plugins, start your DAW from the command line. That way, if it causes a crash, the command line will (usually but not always) give some useful feedback as to what the nature of the crash was. That's how I got the error message above.

My thoughts to devs about Linux support: It seems that devs are using Ubuntu 16.04 as the standard to build against. It is a Long Term Support (LTS) release.

looking at the Ubuntu release info, Ubuntu 16.04 was released in April 2016 (almost 4 years ago) and will reach the end of standard support in April 2021. 18.04 was released in April 2018 and will reach the end of standard support in April 2023.

It appears that Ubuntu releases a new LTS every 2 years. If you are using Ubuntu as the Linux "standard" (I chose Ubuntu because it's a popular and well-supported distribution), then move to the latest LTS release 1 year after it is released. That is nowhere near the bleeding edge of new releases, but not too far behind the Linux development curve, either.

Moving to the latest LTS version 1 year after it is released is not forcing us users or you devs to use a bleeding edge OS.

Just my 2 cents... and thanks again for supporting Linux.

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plasticityFilter

Reviewed By TheDragonborg [all]
January 29th, 2020
Version reviewed: idk on Windows

This is a must have for Drum & Bass producers... especially for neurofunk... the fact that it's free is insane! Sounds great on basses with a huge helping of distortion! The only thing I would add be an option for it to automatically disable the filter when it reaches 0 for highpass or 100 for lowpass for some drum filter sweeps. You can accomplish the same thing by automating the bypass setting in your daw.

I did encounter a bug when I deleted the plugin from a chain in Reason 10 and it crashed the plugin instead of deleting it. The other plugin instance kept working though.

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plasticityFilter

Reviewed By Faydit [all]
January 16th, 2020
Version reviewed: 1 on Windows

Very uselful little tool for me.

The HP / LF Filters work fine, resonance control allows a more interesting tone shaping, but the big surprise for me was the drive control. Usually - as a guitarist - I often are not too convinced of a lot of not especially for guitar designed gear, which offers digital audio saturation, overdrive or distortion, nevertheless I'm always curious about new gear.

Quite the opposite here. Adjusted properly you can use this plugin as well as a small, easily adjustable and very flexible overdrive replacement or even as an amp-sim replacement, if you are looking for some very well controllable transparent, naturally and harmonically sounding overdrive or distortion tones. I know some overdrive / distortion pedal sims and amp sims, which for me sounded worse than some of the tones, I got out of this small plugin at my first attempts, even without any IR-cabinet or additional other gear. With additional plugins it also works fine.

My experience was, that less often is more, especially when adjusting resonance and drive.

A very good and useful tool for a flexible sound shaping, while maintaining the sonic qualities of tones or even improving them.

My thanks go to the developers.

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