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faTimeAlign

Phase Alignment Plugin by forward audio
MyKVRFAVORITE6WANT5
69 € (incl. VAT)
faTimeAlign
faTimeAlign by forward audio is a Virtual Effect Audio Plugin for macOS and Windows. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin and an AAX Plugin.
Product
Version
1.00.010
Windows 10, 8, 7, Vista
VST2, VST3, AAX host
Product
Version
1.00.010
Mac OS X 10.11 or higher
VST2, VST3, AAX or AU host
Intel processor based Mac
Effect
Formats
Copy Protection
Key File
My KVR - Groups, Versions, & More
14 KVR members have added faTimeAlign to 8 My KVR groups 17 times.
Not In Your MY KVR Groups
(or group limitation prevents versioning)
+8 in private groups

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Overall: 5522   4259   5210

30-Day: 6640; 7-Day: 16587; Yesterday: 21830

faTimeAlign is a professional Time Alignment / Phase Alignment Plugin with a sub-sample precise delay algorithm and an intuitive user interface.

Get your phase fixed in a minute

If you are looking for a reliable workhorse to adjust the phase correlation and timing of your drum, guitar or vocal recording you may have found your dream candidate. Time Alignment is a delicate and often time consuming task, so you want nothing less than the best possible solution: Easily adjust your tracks, relatively to the other tracks, with positive or negative delays and make A/B comparisons to absolutely nail the correct setting.

But that's not enough! You can also arrange your tracks into different sub-groups and delay them relative to each other to align different instruments or instrument groups.

Easy to use and flexible

The range of the delay knob can be set to any value narrow or wide, which lets you easily sweep through different delay spans. Furthermore, the feature to enter values in foot, samples, meter or milliseconds gives you every possible flexibility you'll need.

Prepared for every task

And if you want to be creative you can also use this Plugin for other tasks like applying stereo effects such as a moving haas delays, creating colorful filter textures with a moving comb filter (similar to a slow phaser effect) or applying artificial double tracking of your vocals with varying delays. And if that's not enough you can use it if you do some parallel compression with analog outboard gear where you have to deal with sub-sample delays because of different Samplerates.

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