Virtual Brass VST VST3 Audio Unit KONTAKT EXS24: Trumpet, Trombone, Tuba, French Horn, Flugelhorn
Aeternus Brass VST, VST3, Audio Unit Plugins: Virtual Trumpet, Trombone, Tuba, French Horn, Flugelhorn, Cornet, Brass Sections, Orchestral Ensemble and Classic Analog Synthesizer Brasses. EXS24 + KONTAKT (Windows, macOS).
Aeternus Brass is a virtual musical ensemble and solo trumpet, trombone, tuba, French horn, flugelhorn and cornet instruments. It includes brass sections, orchestral ensemble and sampled legato and staccato articulations. Additionally introduces four analog brasses, based on classic polyphonic synthesizers. Available in VST 32-bit and 64-bit and VST3 64-bit versions for Windows / Audio Unit, VST and VST3 for macOS. Also developed as EXS24 and KONTAKT Sample Libraries.
Features.
• Quick loader to select between different instruments:
- 01 Brass Section Ensemble 1.
- 02 Brass Section Ensemble 2.
- 03 Brass Section Ensemble 3.
- 04 Brass Section Ensemble 4.
- 05 Orchestral Brass Ensemble.
- 06 Brass Ensemble Staccato.
- 07 Brass Hit-Stab-Fall Effects.
- 08 Trumpet Legato.
- 09 Trumpet Staccato.
- 10 Trumpet Bubble Harmon Mute.
- 11 Trombone Legato.
- 12 Trombone Staccato.
- 13 Tuba Legato.
- 14 Tuba Staccato.
- 15 French Horn Legato.
- 16 French Horn Staccato.
- 17 French Horns Section.
- 18 Flugelhorn Legato.
- 19 Cornet Legato.
- 20 Synth Brass.
- 21 Mellotron M400 GC3 Brass.
- 22 Roland SC-88 Velo Brass.
- 23 Oberheim Xpander Brass.
- 24 Memorymoog Brass.
• Wider Spatial Auralization: The brass sections ensembles and synthesized brass brings a stereophonic widening sound to increase the audible perspective or perceived breadth, even without using the built-in reverberation.
• ADSR envelope generator with Attack, Sustain, Decay and Release parameters:
- Attack determines the time it takes for the note to get to the maximum level.
- Decay determines the time it takes for the note to go from the maximum level to the sustain level (controlled by Sustain).
- Sustain determines level the sound is played at while the note is held (after the other envelope states, Attack and Decay, have been completed).
- Release determines the time it takes for the note to fall from the sustain level to zero (silence) level when it is released.
• Pitch Bend: The Pitch Bend knob directly changes the pitch of the selected instrument.
- Pitch Bend center position: is normal pitch.
- Pitch Bend down: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved to the left.
- Pitch Bend up: Specifies the amount of pitch change that will occur when the pitch bend/modulation lever is moved the right.
• Low-Frequency Oscillator Controls: These knobs apply LFO modulation to the selected instrument. Use the 'Rate' (Frequency) and 'Depth' (Amplitude) knobs to adjust the LFO effect as required. By using the LFO to modulate various aspects of the audio signal, you can apply effects such as vibrato or tremolo.
• Reverb Room built-in: provides a spaciousness and depth to simulate the sound reflections from walls, floors and ceilings following a sound created in an acoustically reflective environment. Small rooms can be modeled as well as large spaces.
• Filter Type. Combo box to switch between the following options:
- Low Pass (LPF): a filter that passes signals with a frequency lower than a certain cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency.
- High Pass (HPF): a filter that passes signals with a frequency higher than a certain cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.
- None: No filter is applied.
- Cutoff Frequency Filter: Sets the cutoff frequency for the low pass and high pass filters.
• Amplitude Range Controls: The sensitivity level is set by the user:
- Amplitude range (low) - sets amplitude range, lower bound (dB)
- Amplitude range (high) - sets amplitude range, upper bound (dB).
• Volume: Adjusts the volume of the instrument.
• Panning potentiometer control: Set the panning of the instrument. Adjusts the stereo pan position of the signal output, which determines how much of signal is sent to the left and right channels.
