Not the cheapest for Sonimus alright... If it's really good I'll buy it (but I've got a lot of really good sounding compressors).comfortablynick wrote:Wow...$74 seems really steep. Oh well.
Off to try the demo.
Not the cheapest for Sonimus alright... If it's really good I'll buy it (but I've got a lot of really good sounding compressors).comfortablynick wrote:Wow...$74 seems really steep. Oh well.
it's not a bug... I also brought up that issue but seems they went for having it this way...bmanic wrote:EDIT: Seems to sound really nice.. one issue: The wet/dry control is extremely unintuitive. Frankly, it's horrible. MAKEUP gain controls should NEVER affect the dry. I wonder if this is a bug or not.
It makes no sense at all. This means one has to juggle the wet/dry and output knob constantly to get back to even gain. Makes it very hard to use the wet/dry knob for quick test of heavy compression + dry versus less compression + wet.3ee wrote:it's not a bug... I also brought up that issue but seems they went for having it this way...bmanic wrote:EDIT: Seems to sound really nice.. one issue: The wet/dry control is extremely unintuitive. Frankly, it's horrible. MAKEUP gain controls should NEVER affect the dry. I wonder if this is a bug or not.
apparently there are certain compressor designs that have make-up gain at the final output stage
I was one of the testers who asked for this to be implemented. There are some great compressors that add make up to the dry signal, such as Massey CT5.3ee wrote:it's not a bug... I also brought up that issue but seems they went for having it this way...bmanic wrote:EDIT: Seems to sound really nice.. one issue: The wet/dry control is extremely unintuitive. Frankly, it's horrible. MAKEUP gain controls should NEVER affect the dry. I wonder if this is a bug or not.
apparently there are certain compressor designs that have make-up gain at the final output stage
joe_04_04 wrote: There are some great compressors that add make up to the dry signal, such as Massey CT5.
I fail to see how this is a problem. Thinking about it logically, if you don't link the output gain to the dry signal, you actually lose your wet/dry ratio every time you change the gain. So, if gain only affects wet signal, your workflow looks something like this:bmanic wrote:It makes no sense at all. This means one has to juggle the wet/dry and output knob constantly to get back to even gain. Makes it very hard to use the wet/dry knob for quick test of heavy compression + dry versus less compression + wet.3ee wrote:it's not a bug... I also brought up that issue but seems they went for having it this way...bmanic wrote:EDIT: Seems to sound really nice.. one issue: The wet/dry control is extremely unintuitive. Frankly, it's horrible. MAKEUP gain controls should NEVER affect the dry. I wonder if this is a bug or not.
apparently there are certain compressor designs that have make-up gain at the final output stage
EDIT: ah, but that's where the A/B button comes in handy. This remedies most of my worries. Anyhow, very silly design still.
This is such a bad design decision that it boggles the mind. It's not completely killing it for me but it's going to be a lot harder to justify the 74$ they are asking. The whole concept of the compressor seems to be "easy and quick to use" and they throw it right out the window with this design.
I like it this way toojoe_04_04 wrote: I was one of the testers who asked for this to be implemented. There are some great compressors that add make up to the dry signal, such as Massey CT5.
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