Bitwig

Greenplums · Post by **Greenplums** » Sun Jul 03, 2022 6:46 am

Just switched to Bitwig so finding my way around. Here's the first track using Bitwig 4.3 https://soundcloud.com/gerry-cooper-855 ... little-bit

lilith93 · Post by **lilith93** » Tue Jul 19, 2022 9:47 pm

https://soundcloud.com/lilith_93/psychosis

VORTEXBASSMUSIC · Post by **VORTEXBASSMUSIC** » Sun Jul 31, 2022 2:53 pm

https://soundcloud.com/vortex6/redrum-v ... al_sharing

bielphc · Post by **bielphc** » Fri Aug 05, 2022 8:03 am

YEEES! I do Orchestral Music in Bitwig Studio

https://www.youtube.com/watch?v=kP5EcOJK9g4

I hope you guys enjoy!

AndyTuke · Post by **AndyTuke** » Fri Aug 05, 2022 6:52 pm

Latest Psytrance track from TDP. I've been removing all non native plug ins so no down to Serum, Vital, Klanghelm set, Eventide Blackhole and Valhalla Plate which I just can't live without

Ozora

mosska · Post by **mosska** » Fri Aug 05, 2022 11:45 pm

Some discofunkygroovey sounds

Listen to Ed Ganger Funky Short by DustJoit on #SoundCloud
https://soundcloud.app.goo.gl/56Nvp

jamannarino · Post by **jamannarino** » Sat Aug 06, 2022 10:02 pm

some weird psytrance/psycore/break ish wack biz

https://soundcloud.com/saucera/habanera-melodia-195

pboy · Post by **pboy** » Wed Aug 17, 2022 5:35 pm

Hi guys,
For this track, I was recording only MIDI into Bitwig and using Vienna Instruments Pro (on the same computer) as my sounds rack server for orchestral samples. Audio streaming back into Bitwig by four subs, corresponding to the main four instrument groups of the typical symph orch. Each sub bus is being compressed subtly before being globally summed at BWS's main stereo output.

https://soundcloud.com/pboy/texture-tra ... 065c140f's

mais · Post by **mais** » Sat Sep 03, 2022 5:32 pm

I'm using Bitwig 4.1.6 on Linux Mint. This is the first whole track I made there
https://yggdrasilrecords.bandcamp.com/t ... rykt-ikkje

Scott W · Post by **Scott W** » Sun Sep 04, 2022 12:18 am

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I made this song in Bitwig https://jackalandhyde.bandcamp.com/track/anomaly (https://jackalandhyde.bandcamp.com/track/anomaly)

pboy · Post by **pboy** » Sat Sep 24, 2022 10:23 am

For this track, I found great use of BWS's moog-styled filter. I used it to, temporarily, duck down the high frequencies of the strings behind the sparse sax notes. I did this by automation (rather than by side-chaining), so that I could bring back the string's top end slowly as the sax delay fx echoes out. I also used the filter device on the sax track, with the envelope follow setting, to make the sax sound smoother and more breathy with less top end.

And I found a rewarding way to use the XY Instrument device. Instead of loading four instruments, I loaded four arpeggiators with the steps set to #3, #4, #5, and #6. Then I fetched its four MIDI output streams with Note Receiver devices into four tracks hosting a Contrabassoon, a Bassoon, a Clarinet, and another Clarinet. You hear this group kicking in after the crescendo in the middle.

https://soundcloud.com/pboy/texture-of- ... al_sharing

xbitz · Post by **xbitz** » Thu Oct 13, 2022 6:18 am

it was not me but worth sharing

https://www.youtube.com/watch?v=sooeMN06iQI`

MegaPixel · Post by **MegaPixel** » Sun Oct 16, 2022 3:37 pm

REMOVED

Eternatease · Post by **Eternatease** » Thu Oct 20, 2022 1:49 pm

As usual a track is never finished, because there is always something to add or change, but I have put a lot of work into this, meanwhile learning more about filters, plugins and Dune.

At first I thought I was doing something wrong with the Dune arpeggiator, because I assumed it was polyphonic.
So I had to come up with a workaround to get a better melody, like changing note lengths, note starts and stops, velocity response. And I seemed to have started with a set of chords that didn't match the chord that the arpeggiator used.
So I had to tweak the individual arpeggiator notes, then tweak the chords again because then the chords didn't match anymore, and so on.
I also used a lot of filters on the melodies.
My initial idea was to make a kind of Berlin school ambient, without using a standard four on the floor basskick. I added my own recorded birdsounds and used several Spitfire Audio LABS sounds.

All this resulted in an 18 minutes 23 seconds ambient-ish track on which I have probably spent around 100 hours to finetune and tweak by now.
Created in Bitwig Studio 16-Track, recorded straight from DAW at 48 kHz.

https://www.soundcloud.com/eternatease- ... s-ambiente

Comments are welcomed.

muzicxs · Post by **muzicxs** » Fri Nov 11, 2022 6:57 pm

Edited

Bitwig

KVR Audio

Share your tracks.