As far as i can judge (about "captain crunch 2"), and assuming that you choose the second image with the same paradigm of the image synth room (red=left green=right) ...there is a few sustained impacts at the right channel in the rendered phrase (visible on the image as "green forks") that appears in the beginning of your track,at the moment the effects "en aval"(B2 reverb especially) doesn't blurr the original signal significantlyGalbanum wrote:Here's a sound using the other image from above.
https://soundcloud.com/2caudio/ks-captain-crunch-1
https://soundcloud.com/2caudio/ks-captain-crunch-2
One KS Into One B2. Square wave test tone was the input signal.
Algo-Comp example... interesting rhythmic-melodic phrase in phrygian mode.
Sent into Izotope Trash to give an aggressive timbre...
then into B2 with automated wet/dry mix...
different Trash and B2 presets for the two examples... same KS settings...
the point here is that KS supplies the musical "performance", and the tone/timbre can be transformed however desired using other plugs...
...this seems even more obvious on your previous "puma lovers" track, after closer listening !