Dracus and (palm) mutes.
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- KVRer
- Topic Starter
- 7 posts since 3 Feb, 2015
Hi!
I bought the Evolution Dracus because that summer group buy discount was just too good. And overall I'm pretty happy with it.
But, is there any (even remotely) easy way to boost/fix mute & palm mute 2? As they are/work now, they are next to useless. They both sound too same to me and no matter what guitar rig/amplifiers/set I'm using, they don't have that kick/oomph/heaviness in them (tested same setup with Shreddage, random guitar vsts/instruments and even electri6ity, which is on the lighter side of the sound spectrum and they all work/sound fine).
I bought the Evolution Dracus because that summer group buy discount was just too good. And overall I'm pretty happy with it.
But, is there any (even remotely) easy way to boost/fix mute & palm mute 2? As they are/work now, they are next to useless. They both sound too same to me and no matter what guitar rig/amplifiers/set I'm using, they don't have that kick/oomph/heaviness in them (tested same setup with Shreddage, random guitar vsts/instruments and even electri6ity, which is on the lighter side of the sound spectrum and they all work/sound fine).
- "The" Jazz
- 4560 posts since 18 Aug, 2004 from California, United States
Is it the amount of mutedness that's the issue? We've received a few other comments about the palm mute samples, so we're looking to see what we can do to fix/improve them.
Greg Schlaepfer
Orange Tree Samples
Ultra-realistic sample libraries for Kontakt
Orange Tree Samples
Ultra-realistic sample libraries for Kontakt
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- KVRer
- 7 posts since 17 Jan, 2018
I saw a video that layers one palm mute over the other. The one with more attack, then the looser one at a lower volume on another track. You get the attack, and the sustain from the second mute. Give it a try.
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- KVRist
- 103 posts since 10 Feb, 2021
He was layering a nonexistent version of dracus.Maidenhead wrote: ↑Fri Nov 17, 2023 11:18 pm I saw a video that layers one palm mute over the other. The one with more attack, then the looser one at a lower volume on another track. You get the attack, and the sustain from the second mute. Give it a try.