Xils-Lab PolyKB II [ Used by Universal Audio in NAMM 2014 ]

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Xils-Lab PolyKB II [ Used by Universal Audio in NAMM 2014 ] 2010-11-29T12:36:51+00:00 The title might be a bit polemical, and I hope you'll forgive me for that :wink: Below is the shortest possible list of all the new features included in Version 2 of the PolyKB. With version 1 it was "only" possible for example to modulate the Cut-Off AND/OR the VCA decay AND/Or two other parameters with ........ the output of the pitch of the Polysequencer, or the velocity of the Polysequencer ........ Here we go : "First and foremost, it's a / free / update for all existing *PolyKB* (Version 1) users, and, as such, comes fully loaded with 250 patches created by some of the best sound designers around; while most of these patches are brand new, the majority of V1 presets have been enhanced to include mod wheel and/or pressure action. While *PolyKB II* retains the uncompromising state-of-the art analogue characteristics of V1, we've added a lot of features that were not available on yesteryear's sought-after classic hardware synths to combine the best of both worlds — vintage and modern: * Existing modulation has been enhanced in the three modulation matrices — all can now have a negative value applied (V1 always being positive), while an additional Velocity Control Mode allows for a / huge / dynamic range! * A number of new modulation sources and targets have been added, including Monophonic LFOs (allowing for Mono and Poly LFOs in the same patch); Mod Wheel; Envelope parameters; Noise and individual Oscillator levels; Global and individual pitch; Phaser and Chorus rates; Delay Times; and Glide — all combining to open a creative doorway to highly-expressive sound design. * The implementation of a unique Time Multiplier system allows all envelope times to be multiplied by x2, x3, or x4 — all with a simple click. * Two new effects have been added — *Phaser*, plus a special *Dual EQ*, with a unique and musical-sounding Contour function. * The Arpeggiator now includes a Polyphonic mode, as well as Gate and Swing parameters, making it far more versatile, while its Octave function has also been enhanced. * The proprietary *D-Myx* Stereo XY Pad tool now benefits from two never before seen dynamic modes, allowing a controlled motion between the points with full visual control, so users can quickly create very complex dynamic stereo scenes. * The proprietary *P-Myx* Polyphony-controlled XY Modulation Pad can now send negative modulation amounts, allowing notes to sound different each time they're played — kiss goodbye to boring, static sounds, forever! * The easier-to-operate Polyphonic Sequencer now has a magnification tool and shift step function — very handy for real-time recorded patterns. * Responding to user feedback, *PolyKB II* benefits from an ergonomically and cosmetically-revamped GUI, viewable in three sizes (Small, Medium, and Large) to make for a more pleasureable working experience — especially for those running smaller displays, such as laptop users. * An improved, intuitive management system is based around a powerful dual-hierarchical filtering concept, allowing users to quickly find whatever patch they're looking for. Of course, the new sound library takes advantage of all these features — almost all new presets react to Mod Wheel, for example, yet should some users want to expand their sonic horizons further still with more new patches, then *two affordable soundsets* will be available soon after the *PolyKB II*'s release date." While features alone might useless, features combined with a synth which has already been largely praised for its great VA character might become interesting. The PolyKB offers some truly unique features that you won't find in any other synth. I'll add some audio examples in the near future to try to exemplify all the above. Meanwhile all questions ( Mono and poly Lfos ??? , PMYX and D-Myx engines ??? ) and comments are welcomed. Thanks for reading, LtZ Lotuzia https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=12754

breakmixer breakmixer https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=193643: KVRAF; 4278 posts since 14 Nov, 2008 from UK

Post by breakmixer » Mon Nov 24, 2014 10:14 pm

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VariKusBrainZ wrote:VST3 gives lower cpu usage, sounds like snake oil to me.
Unless it caters for automatically disabling plugins when theres no audio being generated/processed by the plugin.
I cant imagine how an algorithm is going to be more efficient in VST3 over 2.4.

Happy to have my universe turned inside out and be proven wrong and I too will evangelise VST3

I'm not sure where I got that info from or how true it is(or not), I was under that impression though that VST3 gives a better performance and taxes the CPU less. Could be pure codswallop!

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