I have them organized exactly in the same way. I have no time to do it differently.kidslow wrote: ↑Fri Nov 11, 2022 7:06 pm On the filesystem right now mine are mostly organized in folders by the publisher (or site) I got them from, but that's only helpful on intake not to use them, as I've found out. When I need to find one, I have to hope the name gives it away and either go through folder by folder or do a filesystem search for a keyword in the name.
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My current workflow is to audition them using Audio Assault aIR Impulse Rack, because it can run standalone or as a plugin and load four at a time. Any other ways to go about it?
My method is to keep a text file, listing various types of reverbs in various ways (studio, chamber, hall, room, outdoor; but also dense, granular, realistic, special effects, the good ones for positioning…) and listing under each one of these headers those I like most for that category, Impulse Responses AND software reverbs together (even the algorithmic ones), with some short remarks about the quality of each.
It's a sort of self-made manual which I update frequently.
To test the IRs quickly I use Melda MConvolutionEZ, but I could use any other very simple convolution reverb like Audio Assault Winchester, or Impulse Record Convology XT (maybe the complex ones like LiquidSonics Reverberate are not the best for testing IRs quickly). I have a Logic template with some standard test audio samples preloaded into it: I just start the template, open the IR in MConvolutionEZ and listen.