Amp-less Rigs!
- KVRian
- Topic Starter
- 904 posts since 12 Jan, 2011
Can those who use an amp-less rig share their set-up, workflow, chain, etc? I just watched this vid, and I'm in shock. The dude clearly knows his stuff, but YIKES . . . the complexity is making me consider going acoustic.
https://www.youtube.com/watch?v=435BGCsQ4Io
https://www.youtube.com/watch?v=435BGCsQ4Io
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- KVRAF
- 6433 posts since 22 Jan, 2005 from Sweden
Consider the video as sales pitch, and for professionals or those that want to appear professional.
Don't be fooled that going acoustic will stop your gear aquisition
- especially going on a budget
- tone and playability will always make you want more over time unless you spend $2000 or so.
Let your taste develop as you go, whatever path.
- most importantly get a guitar that you enjoy playing
- I play electrics mostly acoustically to maintain and develop skills
The floor board will ever change for electrics. Just go with basic stuff to start with.
- if you go software it will be preset hunting, it will stop you more than you think
- if you go hardware it will be stomp box pedals hunting most likely
You don't need to have it all to start with as suggested in the video.
I think modelling amps might be good as Fender series with ability to upload the choice of pedals and stomp boxes on it.
- not sure if it's called Mustang series or something now
- I have an old Superchamp X2 that used the Fuse software, not available anymore
- Superchamp had 16 position knob, to choose which amp and stomp boxes are there
- you will have an amp and can use headphones if you want
- if you want to bring to people you play with, now or later, hardware is good
- just power on and play
- no computers and software to load before playing
- you have on modern amps DI output to computer too usually
Amp sims are much better now than 20 years ago I tried them. But as read in many threads here it becomes preset hunting. Constantly stopping you having fun and enjoy to be a better player.
But the ones available now with a hardware unit and then software to upload the options you want available is praised by many.
You probably want
- a clean sound, and something that breaks up a little bit, and a hard crunch style
Just some options....
Don't be fooled that going acoustic will stop your gear aquisition
- especially going on a budget
- tone and playability will always make you want more over time unless you spend $2000 or so.
Let your taste develop as you go, whatever path.
- most importantly get a guitar that you enjoy playing
- I play electrics mostly acoustically to maintain and develop skills
The floor board will ever change for electrics. Just go with basic stuff to start with.
- if you go software it will be preset hunting, it will stop you more than you think
- if you go hardware it will be stomp box pedals hunting most likely
You don't need to have it all to start with as suggested in the video.
I think modelling amps might be good as Fender series with ability to upload the choice of pedals and stomp boxes on it.
- not sure if it's called Mustang series or something now
- I have an old Superchamp X2 that used the Fuse software, not available anymore
- Superchamp had 16 position knob, to choose which amp and stomp boxes are there
- you will have an amp and can use headphones if you want
- if you want to bring to people you play with, now or later, hardware is good
- just power on and play
- no computers and software to load before playing
- you have on modern amps DI output to computer too usually
Amp sims are much better now than 20 years ago I tried them. But as read in many threads here it becomes preset hunting. Constantly stopping you having fun and enjoy to be a better player.
But the ones available now with a hardware unit and then software to upload the options you want available is praised by many.
You probably want
- a clean sound, and something that breaks up a little bit, and a hard crunch style
Just some options....
- KVRian
- Topic Starter
- 904 posts since 12 Jan, 2011
lfm, thanks so much for taking the time to add your insight to this thread. Great stuff!! Much appreciation for listing some options and potential pitfalls.
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- KVRian
- 576 posts since 28 Jul, 2016
The BluGuitar Amp1 is great for what it is. A 100 watt, 4 voice, 2 channel, analog guitar Amp that can run with or without a speaker cab. It fits on a pedal board, but it will also sit on a cab just fine.
That + a Boss ME-80 or 90 would give you a very simple setup with lots of fx choices
That + a Boss ME-80 or 90 would give you a very simple setup with lots of fx choices
- KVRAF
- 15058 posts since 26 Jun, 2006 from San Francisco Bay Area
I used to gig without amps for years. Here’s what I’ve learned.
Keep it simple. Every single connection is a potential point of failure.
Ultimate sound quality is irrelevant. That doesn’t mean you should aim for lackluster sound, and you definitely don’t have to, but if you think that your boutique pedals or amp’s souls are being appreciated at most venues, you’re delusional. In fact, a good amp sim will sound much better and let the entire band sound better, because loud stage volumes are the worst for engineers to mix.
The days for needing $2000+ amp sims are long gone. Small devices like the HX Stomp sound as good as an AxeFX 3 or Kemper.
So, my recommendation would be to buy the amp modeler that sounds good to you and has all the features you need. If I were playing live again, I’d get an HX Stomp XL, which I actually did buy. If you don’t own them, buy two expression pedals for volume and wha control. That’s it. I’d need nothing else, and it sounds fantastic. I got it with a free license of Helix Native.
Keep it simple. Every single connection is a potential point of failure.
Ultimate sound quality is irrelevant. That doesn’t mean you should aim for lackluster sound, and you definitely don’t have to, but if you think that your boutique pedals or amp’s souls are being appreciated at most venues, you’re delusional. In fact, a good amp sim will sound much better and let the entire band sound better, because loud stage volumes are the worst for engineers to mix.
The days for needing $2000+ amp sims are long gone. Small devices like the HX Stomp sound as good as an AxeFX 3 or Kemper.
So, my recommendation would be to buy the amp modeler that sounds good to you and has all the features you need. If I were playing live again, I’d get an HX Stomp XL, which I actually did buy. If you don’t own them, buy two expression pedals for volume and wha control. That’s it. I’d need nothing else, and it sounds fantastic. I got it with a free license of Helix Native.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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Andreya_Autumn Andreya_Autumn https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=553235
- KVRist
- 238 posts since 21 Feb, 2022
I stopped using guitar amps a while ago. Instead I keep a pedal board starting with an Origin Revival and ending with a Neunaber Iconoclast.
The latter is the most critical part really. With a good speaker simulation pedal at the end of your board you'll probably be perfectly fine going straight into the front of house no matter what the rest of your stuff is.
If you want to simplify it down from that video, here's a good starting point: Any drive pedal you like + any EQ pedal + the Iconoclast. Then you can add whatever you want in between. Simple as that.
The latter is the most critical part really. With a good speaker simulation pedal at the end of your board you'll probably be perfectly fine going straight into the front of house no matter what the rest of your stuff is.
If you want to simplify it down from that video, here's a good starting point: Any drive pedal you like + any EQ pedal + the Iconoclast. Then you can add whatever you want in between. Simple as that.
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- KVRAF
- 2571 posts since 2 Jul, 2010
I used to gig with a modelling floorboard and no amp on stage, it's good until one hits a venue with bad monitoring. Having a loud box on stage means you can always hear yourself.
- KVRAF
- 15058 posts since 26 Jun, 2006 from San Francisco Bay Area
I’ve run into this. It’s really crap. I did a gig in Santa Cruz where the guy invited me to come play and I asked him if I should bring any of my own PA gear and he said, “no, we’re covered.” What he meant was, “My brother and I are covered and you’ll do without.” They literally would not move a monitor over 15 feet so I could have one and shoved me off to the side of the stage. Unclear why they bothered to invite me and then set me up to fail, but there you go. I luckily had a pair of headphones so I used that, but it was less than ideal. I vowed that I’d never go anywhere without my own monitors, I’d probably do in-ear models these days. That ended up being my last live show. I just wasn’t that into it, and realized I hadn’t been for a long time.
Zerocrossing Media
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
4th Law of Robotics: When turning evil, display a red indicator light. ~[ ●_● ]~
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Andreya_Autumn Andreya_Autumn https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=553235
- KVRist
- 238 posts since 21 Feb, 2022
Yeah onstage monitoring can be a challenge indeed. Bigger venues really should have you covered, it's typically at smaller ones you run into this issue. I've got a little Fishman Loudbox that works really well for this purpose, though it wouldn't be enough for a loud show on a big stage. I don't play very many of those anyway, and again, that's not where you're likely to have this problem.
- KVRian
- 992 posts since 6 Jun, 2016 from San Marcos, Texas
+1 for personal amplification
You could use a small combo amp, or a fancy light weight, full range monitor, with a class D amp, that's shaped like a wedge or mounts on a pole. There's LOTS of options.
You could even run your own in-ear monitors if you wanted.
You could use a small combo amp, or a fancy light weight, full range monitor, with a class D amp, that's shaped like a wedge or mounts on a pole. There's LOTS of options.
You could even run your own in-ear monitors if you wanted.