Loudness of my Final Mix (doesn't compare well to references)
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- KVRist
- Topic Starter
- 47 posts since 10 Aug, 2020
I have attached a screenshot of the Waveforms of my track and 3 commercially released reference tracks.
i have used Compression, Limiting and EQ on each individual track in my instrumental, but i can't get it close the reference tracks loudness levels.
My track = -12 LUFS | Peak = -0.4
Reference 1 = -7.4 LUFS | Peak = 0
Reference 2 = -8.8 LUFS | Peak = 0
Reference 3 = -8.3 LUFS | Peak = 0
The tonal balance of my track is relatively similar but the loudness levels are very different, and it's like that with pretty much every track i create when i compare it to a reference.
Many Thanks
i have used Compression, Limiting and EQ on each individual track in my instrumental, but i can't get it close the reference tracks loudness levels.
My track = -12 LUFS | Peak = -0.4
Reference 1 = -7.4 LUFS | Peak = 0
Reference 2 = -8.8 LUFS | Peak = 0
Reference 3 = -8.3 LUFS | Peak = 0
The tonal balance of my track is relatively similar but the loudness levels are very different, and it's like that with pretty much every track i create when i compare it to a reference.
Many Thanks
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- KVRAF
- 15280 posts since 8 Mar, 2005 from Utrecht, Holland
I think we have another loudness war victim here. Single-digit loudness cannot be achieved without doing damage. And for what? If your track is put on a streaming service, with its current -12dB LUFS its volume will be reduced by 2dB already. If you manage to shave off the extra 4dB you're looking for, its volume will then be reduced by a total of 6dB by the streaming service.
I don't understand why you're willing to give up the dynamical range. Just because others manage to do it? I honestly fail to see the reasoning behind that, plain stupid bandwagon behaviour.
I don't understand why you're willing to give up the dynamical range. Just because others manage to do it? I honestly fail to see the reasoning behind that, plain stupid bandwagon behaviour.
We are the KVR collective. Resistance is futile. You will be assimilated.
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- KVRAF
- 2565 posts since 2 Jul, 2010
The references are too loud.
It's only a problem if your tracks are to be combined with references in a mix/playlist by a person (or algorithm) too stupid to level-match them.
This is, unfortunately, a possible scenario.
It's only a problem if your tracks are to be combined with references in a mix/playlist by a person (or algorithm) too stupid to level-match them.
This is, unfortunately, a possible scenario.
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- KVRist
- Topic Starter
- 47 posts since 10 Aug, 2020
Yeah i understand what your saying, reading it just reminded me of a video Dan Worrall made on youtube a while ago on this subject. which i forgot about.
i appreciate your time
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- KVRist
- Topic Starter
- 47 posts since 10 Aug, 2020
- KVRAF
- 1805 posts since 23 Sep, 2004 from Kocmoc
References are already clipped and limited.
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https://www.youtube.com/@softknees/videos Music & Demoscene
https://www.youtube.com/@softknees/videos Music & Demoscene
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- KVRer
- 13 posts since 10 Jan, 2024
Integrated LUFS is a measure over time. Your track has many more quiet parts across the timeline, so it's going to be lower. You can't change that without fundamentally changing the nature of your track. So it's an apple vs oranges comparison anyway.
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- KVRian
- 543 posts since 28 Oct, 2014
Sekops does make a good point.
Your track has a lot more low energy sections, so it's not worth comparing LUFS with those references.
It would be more sensible to create a breakless loop for your track, and compare the refs to that instead.
But that said, your track's kick doesn't even keep it up to zero db.
But, if you can't tell us what genre this is, help will be limited.
Your track does square off near the middle (though looks like some dc offset there?), and if it's only squaring at one little section, then maybe it's not mixed right?
Your track has a lot more low energy sections, so it's not worth comparing LUFS with those references.
It would be more sensible to create a breakless loop for your track, and compare the refs to that instead.
But that said, your track's kick doesn't even keep it up to zero db.
But, if you can't tell us what genre this is, help will be limited.
Your track does square off near the middle (though looks like some dc offset there?), and if it's only squaring at one little section, then maybe it's not mixed right?
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- KVRAF
- 2591 posts since 19 Mar, 2008 from germany
Exactly. To estimate the overall volume of a track, LUFS-I (for "I = integrated") is best suited.
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- KVRAF
- 2758 posts since 5 Jun, 2011 from Preston, England, UK
This!BertKoor wrote: ↑Mon Dec 04, 2023 2:55 pm I think we have another loudness war victim here. Single-digit loudness cannot be achieved without doing damage. And for what? If your track is put on a streaming service, with its current -12dB LUFS its volume will be reduced by 2dB already. If you manage to shave off the extra 4dB you're looking for, its volume will then be reduced by a total of 6dB by the streaming service.
I don't understand why you're willing to give up the dynamical range. Just because others manage to do it? I honestly fail to see the reasoning behind that, plain stupid bandwagon behaviour.
Plus, LUFS Measurement is constantly changing. Also different platforms allow for different measurements. Forget about comparing it to other people's tracks, it's pointless unless it's an album of your own. And even then, it's all about how it sounds not LUFS BS.
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music is a need in my life...yes I could survive without it but tbh I dont know how
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https://paulroach2.bandcamp.com/
https://hearthis.at/83hdtrvm/
- KVRAF
- 10550 posts since 20 Nov, 2003 from Lost and Spaced
Your reference tracks look way too normalized, Are you referencing off CDs? The AI Master tells me CD is -9 LUFS and that's pretty loud. Spotify wants -14, Amazon wants -11 as does iTunes, so I try to -12 and let them deal with it.