Why you left FL Studio?
- KVRian
- 927 posts since 26 Oct, 2005 from Canada City
An unacceptable decrease in kawaii anime girls.
- KVRAF
- 6113 posts since 7 Jan, 2005 from Corporate States of America
I never left FL Studio... because, like Ableton Live, I never really got into it. Similar reasons: it just makes no sense to me and I didn’t want to go through the learning curve (especially for something as cluttered as FL Studio; the design is beautiful, but the organization and density of controls and menus is overwhelming).
I bought the lifetime free upgrades version ages ago, as yet another psych drug-fueled impulse buy. Didn’t get on with it, removed it.
Every few releases I would check it out again, still not like it, and ignore it again. Then I moved to Mac OS and abandoned Windows.
Interestingly, they ported it to Mac OS. So I started checking it out again. Still beautiful... still overly complicated layout and workflow. Also, it crashes. Like, a lot. All I did with the last update was literally just play the demo songs and it crashed repeatedly.
Deleted.
Maybe I’ll check in with it again in a future version.
I bought the lifetime free upgrades version ages ago, as yet another psych drug-fueled impulse buy. Didn’t get on with it, removed it.
Every few releases I would check it out again, still not like it, and ignore it again. Then I moved to Mac OS and abandoned Windows.
Interestingly, they ported it to Mac OS. So I started checking it out again. Still beautiful... still overly complicated layout and workflow. Also, it crashes. Like, a lot. All I did with the last update was literally just play the demo songs and it crashed repeatedly.
Deleted.
Maybe I’ll check in with it again in a future version.
- dysamoria.com
my music @ SoundCloud
my music @ SoundCloud
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- KVRAF
- 1524 posts since 6 Nov, 2012
FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
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- Banned
- 142 posts since 15 Jan, 2020
The big barrier is between working with midi verses audio. FL Studio doesn't work directly with audio on the timeline, something that every DAW must do for a professional mixing and mastering engineer.tooneba wrote: ↑Tue Feb 04, 2020 2:36 am FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
Working with clips, patterns and an external audio editor just isn't fast enough and ruins the most common workflow. Which results in lost time due to menu diving and using other software to get the job done.
But, for most amateur bedroom producers, time isn't an issue.
It's not the quality of audio, it's the quality of production that matters.
- KVRian
- 1247 posts since 14 Apr, 2008 from /* whitenoise */
/* whitenoise */
Last edited by noiseresearch on Mon Nov 30, 2020 2:30 pm, edited 1 time in total.
/* whitenoise */ /* abandon */ /* reincarnated */
- KVRAF
- 6113 posts since 7 Jan, 2005 from Corporate States of America
Marketing? I don’t listen to marketing when I can help it. I’m more apt to be repelled by marketing than brought in by it.tooneba wrote: ↑Tue Feb 04, 2020 2:36 am FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
Whatever you feel about FL Studio, that’s fine. I have some strong opinions on GUI design and I stand by them, but that doesn’t mean you have to feel constrained by them, nor am I attacking a product you like.
The end result is that FL Studio is still not for me. I was willing to try to learn it, but the fact that it was crashing just being left to play the included demo projects was a non-starter for me.
- dysamoria.com
my music @ SoundCloud
my music @ SoundCloud
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- KVRAF
- 1524 posts since 6 Nov, 2012
I was talking about the workflow. But speaking of audio, FL has same or better audio processing quality than your "DAW doing for professional mixing and mastering engineer used by pro studio producers".burnt circuit wrote: ↑Tue Feb 04, 2020 4:04 pmThe big barrier is between working with midi verses audio. FL Studio doesn't work directly with audio on the timeline, something that every DAW must do for a professional mixing and mastering engineer.tooneba wrote: ↑Tue Feb 04, 2020 2:36 am FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
Working with clips, patterns and an external audio editor just isn't fast enough and ruins the most common workflow. Which results in lost time due to menu diving and using other software to get the job done.
But, for most amateur bedroom producers, time isn't an issue.
A B C
For example, Studio one is awful though it may be defined by you as "PRO DAW". So I have no clue to see where you are coming from unless you are in Edward troll mode.
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- KVRAF
- 1520 posts since 23 Feb, 2017
I think you missed the point. burnt circuit was talking about the audio workflow, which absolutely sucks - most likely the worst of any DAW.tooneba wrote: ↑Thu Feb 06, 2020 8:54 am I was talking about the workflow. But speaking of audio, FL has same or better audio processing quality than your "DAW doing for professional mixing and mastering engineer used by pro studio producers".
A B C
For example, Studio one is awful though it may be defined by you as "PRO DAW". So I have no clue to see where you are coming from unless you are in Edward troll mode.
Signatures are so early 2000s.
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- KVRAF
- 1524 posts since 6 Nov, 2012
I don't know either your GUI preference or your priority when it comes to the DAW choice. I was talking about workflow which is hard to balance. Offering a lot of scenario and having many feature actually ruin the advantages in other aspect.Jace-BeOS wrote: ↑Thu Feb 06, 2020 8:30 amMarketing? I don’t listen to marketing when I can help it. I’m more apt to be repelled by marketing than brought in by it.tooneba wrote: ↑Tue Feb 04, 2020 2:36 am FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
Whatever you feel about FL Studio, that’s fine. I have some strong opinions on GUI design and I stand by them, but that doesn’t mean you have to feel constrained by them, nor am I attacking a product you like.
The end result is that FL Studio is still not for me. I was willing to try to learn it, but the fact that it was crashing just being left to play the included demo projects was a non-starter for me.
- Boss Lovin' DR
- 12684 posts since 15 Mar, 2002 from the grimness of yorkshire
And yet...I've still managed to record shitloads of geetar indie rock songs with no bother.Kongru wrote: ↑Thu Feb 06, 2020 9:03 amI think you missed the point. burnt circuit was talking about the audio workflow, which absolutely sucks - most likely the worst of any DAW.tooneba wrote: ↑Thu Feb 06, 2020 8:54 am I was talking about the workflow. But speaking of audio, FL has same or better audio processing quality than your "DAW doing for professional mixing and mastering engineer used by pro studio producers".
A B C
For example, Studio one is awful though it may be defined by you as "PRO DAW". So I have no clue to see where you are coming from unless you are in Edward troll mode.
Sauce for the goose etc...
'Workflow', another horrible word.
- KVRAF
- 6113 posts since 7 Jan, 2005 from Corporate States of America
Oh, I think I misunderstood your prior post. Sorry.tooneba wrote: ↑Thu Feb 06, 2020 9:05 amI don't know either your GUI preference or your priority when it comes to the DAW choice. I was talking about workflow which is hard to balance. Offering a lot of scenario and having many feature actually ruin the advantages in other aspect.Jace-BeOS wrote: ↑Thu Feb 06, 2020 8:30 amMarketing? I don’t listen to marketing when I can help it. I’m more apt to be repelled by marketing than brought in by it.tooneba wrote: ↑Tue Feb 04, 2020 2:36 am FL is like 'Offer 3 ways to do 1 thing' while some daw are like 'Don't offer more than 1 way if we developed in the best way'. I don't know which is better and all daw have both aspects more or less, but the difference is the latter doesn't come across the situation you have to assess multiple scenario and choose for yourself.
At this moment the software demands your brain resource to a certain degree until you get familiar with every scenario. This learning curve keeps new users away and they describe it as confusing, difficult, complicated, terrifying and etc. Considering "Search google and Get answer" culture nowadays, this learning curve is unignorable marketing barrier.
Whatever you feel about FL Studio, that’s fine. I have some strong opinions on GUI design and I stand by them, but that doesn’t mean you have to feel constrained by them, nor am I attacking a product you like.
The end result is that FL Studio is still not for me. I was willing to try to learn it, but the fact that it was crashing just being left to play the included demo projects was a non-starter for me.
- dysamoria.com
my music @ SoundCloud
my music @ SoundCloud
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- KVRAF
- 1524 posts since 6 Nov, 2012
I get he didn't get my point purely, meanwhile I get what he is tackling, that's why I brought one obvious example for reductio ad absurdum.Kongru wrote: ↑Thu Feb 06, 2020 9:03 amI think you missed the point. burnt circuit was talking about the audio workflow, which absolutely sucks - most likely the worst of any DAW.tooneba wrote: ↑Thu Feb 06, 2020 8:54 am I was talking about the workflow. But speaking of audio, FL has same or better audio processing quality than your "DAW doing for professional mixing and mastering engineer used by pro studio producers".
A B C
For example, Studio one is awful though it may be defined by you as "PRO DAW". So I have no clue to see where you are coming from unless you are in Edward troll mode.
- Professional quality is different from amateur quality
- Pro uses Pro DAW
- Pro DAW provides highest quality efficiently
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- Banned
- 142 posts since 15 Jan, 2020
I think there's a little defensive confusion going on.
To put it simply, every DAW offers a certain workflow. Working quickly with audio on the timeline is not one of FL Studio's strong points.
But, it has many strong points elsewhere, such as midi editing, pianoroll, etc.
These certain tools can be utilized many ways, but for professional mixing and mastering engineers that are working with deadlines, speed is a requirement.
The rest of the world has the rest of their lives to get that perfect kick drum any way they can imagine getting it, while dragging their feet if they like.
It's not the quality of audio, it's the quality of production that matters.
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- KVRAF
- 1524 posts since 6 Nov, 2012
There are no defensive bias or confusion here. I actually followed your logic to reductio ad absurdum.burnt circuit wrote: ↑Thu Feb 06, 2020 5:03 pm I think there's a little defensive confusion going on.
To put it simply, every DAW offers a certain workflow. Working quickly with audio on the timeline is not one of FL Studio's strong points.
But, it has many strong points elsewhere, such as midi editing, pianoroll, etc.
These certain tools can be utilized many ways, but for professional mixing and mastering engineers that are working with deadlines, speed is a requirement.
The rest of the world has the rest of their lives to get that perfect kick drum any way they can imagine getting it, while dragging their feet if they like.
This is the primitive definition of Pro that people already understand.
- Professional quality is different from amateur quality
- Pro uses Professional tool
- Professional tool provides highest quality efficiently
something that every DAW must do for a professional mixing and mastering engineer
results in lost time
So when the tool lacks quality or efficiency in your scenario will it become the tool for amateur like you baldly stated? Is Studio One, for example, a tool for amateur because quality isn’t an issue? I can say no, because it has a advantage where it shines for providing highest quality efficiently.But, for most amateur bedroom producers, time isn't an issue.
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- Banned
- 142 posts since 15 Jan, 2020
Sounds more like pure confusion or you just don't understand what a real working engineer really does.
It's not the quality of audio, it's the quality of production that matters.