You need to watch Ned Rush,should give you good insight
https://www.youtube.com/watch?v=MD_BkbaprSo
Yeah i watched that before, I have Live Lite so i dont get the slice audio to midi option but i do have simpler but with simpler its hard to get the notes just right.ere2learn wrote: ↑Sun Sep 15, 2019 7:59 pmYou need to watch Ned Rush,should give you good insight
https://www.youtube.com/watch?v=MD_BkbaprSo
There are quite a few methods of slicing breaks, the most common in a tracker is switching its start position and retriggering the break. Renoise also has a slicer built in, so you can get somewhere in between the methods. Like this :
Wow that's cool thank you so much.Krzysztof Oktalski wrote: ↑Mon Sep 16, 2019 11:12 amThere are quite a few methods of slicing breaks, the most common in a tracker is switching its start position and retriggering the break. Renoise also has a slicer built in, so you can get somewhere in between the methods. Like this :
https://www.youtube.com/watch?v=yuQ0AuzxLFo
You'll need to watch it full screen at high res to see what's going on, but he basically demonstrates the method on there. What's nice about the tracker method is you tend to chop less, so you get more groove (bits that aren't quite in time, or swing a bit) in between the retriggers.
Not to sound rude, but make your own Subject and ask.AndonHH wrote: ↑Thu Sep 19, 2019 11:52 am https://seldt.bandcamp.com/track/music-movin
What do you guys think of the breaks here?
Sorry, I just thought since this is about rave sound and breaks, and my post happened to be in the same subject, it was OK to ask about it here. Guess i was wrong (TRUMP voice)!GateWay47 wrote: ↑Sat Sep 21, 2019 12:53 pmNot to sound rude, but make your own Subject and ask.AndonHH wrote: ↑Thu Sep 19, 2019 11:52 am https://seldt.bandcamp.com/track/music-movin
What do you guys think of the breaks here?
Krzysztof Oktalski wrote: ↑Sun Sep 15, 2019 7:12 pmYeah, but like I said a lot of those tracks were made from secondary, tertiary sources not the originals. People used to rip off other rave records all the time and layer a couple of breaks together. My point with the Prodigy lift was they did very little work to get the result, they sampled the Shamen, who sampled it from Style, who probably sampled it from Paris who sampled Lyn Collins "Think", or something like that. It's this processing chain that makes it distinctive, if you listen to it against a standard Think break the difference is apparent and all versions I mentioned sound different. The point with the knite force thing is that they've all been heavily processed, most of them came off the hip hop records rather than the original breaks. That's how you get that old school sound, use the hip hop, hip house versions of breaks rather than the originals. You can cut things up a lot of different ways too, that has a big effect on the outcome. Trackers are awesome for it.
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