Each pitch determines how it should sound ???
- KVRAF
- 25053 posts since 20 Oct, 2007 from gonesville
I would say, though, that the minor third for calling MAMA or after your child in the distance is universal and probably has something to do with the human body.
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- addled muppet weed
- 105855 posts since 26 Jan, 2003 from through the looking glass
there is a theory, that despite parents and the "awww he/she said mama/dada"
that babies are in fact trying to get to "mine mine" or "that that" as in "give me that", obviously i wont mention this theory to my son and his gf at the minute
also, i wish i knew who was paying people to try to translate what babies are saying?
they can be amazing though, ive often seen two or three toddlers together.
one will be chunnering away in that "wahahwoowah" speak they do, then stop, another will reply similarly, then stop, then all 3 burst out laughing as one.
so they know or at least seem to know whats being said.
i reckon theyre planning stuff.
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- KVRist
- 350 posts since 11 May, 2008
https://www.youtube.com/watch?v=34ZHJj0lW0Ihousehoppin09 wrote: ↑Sat Jun 29, 2019 5:12 am No one is going to think "ooh, happy times!" when hearing a Psycho-shower-scene-esque train of minor seconds, right?
Some cultures actually do happy times over a train of minor seconds and clustered dyads.
But, in relation to the OP question, I'd say the best theory so far I've seen is the one that relates the pitch of normal speech with the pitch of sung speech. Pat here also mentions Leonard Bernstein idea that in all cultures people whine and tease in minor thirds.
https://www.youtube.com/watch?v=jSOd7HK0E78
Let's say that when you talk normally and are telling the truth the meaningful sylables hoover around Eb2. Then if you build your melodic line with the key words around that you'll sound truthful and convincing, if you build your melodic line with the key words around Ab2 you'll sound preachy, if you build your melodic line with the key words around Bb1 you'll sound agressive, if you build your melodic line with the key words around C3 you'll sound desperate, etc..
It's always in relation to your "normal" speaking voice. Pick your sung pitches aproximating the tone, character and intention when you talk.
Play fair and square!
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I. C. H. Beatbuster I. C. H. Beatbuster https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=443478
- KVRer
- Topic Starter
- 4 posts since 27 Jun, 2019
OK, most of what has been answered here I do not understand. One thing seems to be certain though. There is no answer for that. But I have learned something again, if only a little and a very good tip where I can find answers for people like me.
I thank everyone and for me the topic is over.
I thank everyone and for me the topic is over.