KVR Audio

rbarata · Post by **rbarata** » Sat Sep 15, 2018 11:39 pm

In a F Maj key, doubling the third of the vi:

Degree => BTAS

I => F-F-C-A
vi => F-F-D-A

Is it "allowed" for the CPP?

rbarata · Post by **rbarata** » Mon Sep 17, 2018 8:42 am

Apparently this is admissible if the voices keep the same tones from one chord to the other.

ChamMusic · Post by **ChamMusic** » Sun Sep 23, 2018 5:53 pm

rbarata wrote:Apparently this is admissible if the voices keep the same tones from one chord to the other.

I can think of quite a few instance where JS Bach, amongst others, does this. It's not that unusual as it can just be the best solution in certain situations.

Sometimes that Tenor note will actually be one held note across the two chords....a minim against 2 crotchets in the bass.

jancivil · Post by **jancivil** » Sun Oct 28, 2018 6:59 pm

I would say that the word 'consecutive' produces in your mind a problem that is never a problem. I prefer 'parallel octaves/fifths', which doesn't do that, to be parallel it has to be a line.

And what about consecutive 8ves between bass and tenor in a I-vi 6/3 progression?