AnX wrote this.
Rapid vs Dune3?
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- Banned
- 434 posts since 28 Oct, 2018
rapid is worth every penny
but dune 3 sound also good to me
but dune 3 sound also good to me
- KVRian
- 1367 posts since 21 Dec, 2013 from USA
Do you guys like movies about gladiators?
- GRRRRRRR!
- 15939 posts since 14 Jun, 2001 from Somewhere else, on principle
No. Do you?
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
- KVRian
- 1367 posts since 21 Dec, 2013 from USA
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- KVRAF
- 5179 posts since 16 Nov, 2014
Yes but i prefer vikings
- KVRian
- 1367 posts since 21 Dec, 2013 from USA
I just thought this thread could use some good 80's humor.
- GRRRRRRR!
- 15939 posts since 14 Jun, 2001 from Somewhere else, on principle
I downloaded the Rapid demo and spent an hour or two with it. If it's a really good synth, the demo patches do nothing to reveal that. Playing with the INIT patch, though, I was reasonably impressed with the sound quality although I can't say I'm a fan of the interface or workflow. I somehow managed to get what sounds like hard sync into what I was working on, even though I only had one oscillator active, which I eventually worked out was in the unison detune. It wasn't what I want from stacked oscillators at all. By reducing the number of voices and fine-tuning the detune I was able to reduce it until it sounded like a chorus effect but I couldn't get rid of it.
Like DUNE, it has some very nice effects. The distortion and multi-band saturation are particularly impressive and the chorus/phaser effects have a huge range.
Honestly, I don't think you could go wrong with either but I think I'd probably come down just on the side of DUNE 3, which somehow feels a little more polished and consistently good. That, of course, completely ignores the wavetable stuff which doesn't interest me at all.
Like DUNE, it has some very nice effects. The distortion and multi-band saturation are particularly impressive and the chorus/phaser effects have a huge range.
Honestly, I don't think you could go wrong with either but I think I'd probably come down just on the side of DUNE 3, which somehow feels a little more polished and consistently good. That, of course, completely ignores the wavetable stuff which doesn't interest me at all.
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
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- KVRAF
- 5179 posts since 16 Nov, 2014
What i find terrible about Rapid is that so much of the default presets are peaking way to high. Sometimes easy more than +5 db. That really is not good. Might have that short loud and wow effect but once you level it down to a usable level some magic is gone.
In Dune 3 there are also a few but in general the presets are better here.
It seems many synth do this.
I remember there was a rule for sound designers for (commercial) Alchemy banks that you have to set the levels right so that even a chord should not peak to high.
I wish that rule would be set in stone for all synths today
Loud is not always good.
In Dune 3 there are also a few but in general the presets are better here.
It seems many synth do this.
I remember there was a rule for sound designers for (commercial) Alchemy banks that you have to set the levels right so that even a chord should not peak to high.
I wish that rule would be set in stone for all synths today
Loud is not always good.
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2062 posts since 19 Sep, 2017 from The Future
diversity and harmonics r more important than leveling,but agree nothing is more unmusical than digital distortion
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- KVRAF
- 5179 posts since 16 Nov, 2014
Nothing wrong with it. I sometimes gain stage some tools as high as possible because the saturation adds harmonics and it reach more than +20, 30 or more db. To turn down the volume does not work since i loose the saturation/drive here. But a limiter works to still get the saturated sound with all the added harmonics without the peak.VELLTONE MUSIC wrote: ↑Sun Dec 23, 2018 5:06 pm diversity and harmonics r more important than leveling,but agree nothing is more unmusical than digital distortion
But for default sounds in a synth i don´t want that really. Then an intern limiter should be used.
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VELLTONE MUSIC VELLTONE MUSIC https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=404834
- KVRAF
- Topic Starter
- 2062 posts since 19 Sep, 2017 from The Future
sometimes you just need to squeeze any kind of internal saturators and modulators to achieve something original - from user's prospective maybe is annoying to adjust every preset especially if just a hobbyist play,but when produce music db is relative,only sonic beauty is important
- GRRRRRRR!
- 15939 posts since 14 Jun, 2001 from Somewhere else, on principle
So turn it down. The default level in your host is arbitrary, that +5dB that you get could be -5 in another host.
I always prefer too loud to too quiet - it is easier to turn something down than to turn it up if it's not loud enough. The number of insert slots I waste on gain plugins is testament to that.Loud is not always good.
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
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- KVRian
- 1185 posts since 11 Sep, 2015
yeah that's why they made the dBFS scale, so that every host could implement it differently.
the other day, I made a sound in Sylenth... this synth is so bad and unstable, it gave me +3.1 in Cubase, -2.62 in Sonar, 6.4 in Maschine, -0.3 in Logic, -0.96 in FL and 18 in Ableton! all over the place, I'm telling you.