MiniDisc in music production
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- KVRist
- Topic Starter
- 94 posts since 4 Jun, 2013
Hi! I recently found an old MiniDisc player and I was thinking about integrating it in my workflow.
Maybe for something like this:
https://www.youtube.com/watch?v=MCKEaWeYres
I wondered if anybody here worked with MiniDiscs and if so, how?
Maybe for something like this:
https://www.youtube.com/watch?v=MCKEaWeYres
I wondered if anybody here worked with MiniDiscs and if so, how?
- KVRian
- 643 posts since 17 Aug, 2015 from Finland
Never actually heard of anyone utilizing MiniDiscs in their workflow. That fact alone earns you props from me.
My solo projects:
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
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thecontrolcentre thecontrolcentre https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=76240
- KVRAF
- 35171 posts since 27 Jul, 2005 from the wilds of wanny
I used them for recording stereo mixes until I got my first PC ... after that I recorded gigs and location stuff on minidisc. Not for the last 15 years or so. Can you still get the discs?
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- addled muppet weed
- 105855 posts since 26 Jan, 2003 from through the looking glass
yeah, for either field recording, or playback of said field recordings through hw fx.
had a friend who used one as a make shift sampler on stage, loaded up several speech samples, then for tracks he would press play to hear charlton heston read the ten commandments then play his music...
had a friend who used one as a make shift sampler on stage, loaded up several speech samples, then for tracks he would press play to hear charlton heston read the ten commandments then play his music...
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- KVRAF
- 2086 posts since 24 Jun, 2006 from London, England
A minidisc and a mic was my first field recording setup ! One music workflow tip I've heard with a minidisc was to record an improvisation, then use the split function to turn the recording into 99 split tracks and then put the thing on random play for musical ideas
OOops, should've seen the video first - That's exactly what's demonstrated at 2:25
OOops, should've seen the video first - That's exactly what's demonstrated at 2:25
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- KVRist
- Topic Starter
- 94 posts since 4 Jun, 2013
I read about sending mixdown from computer to MiniDisc then from MiniDisc to computer for added flavor. I will have to try. Right now I am interested in the randomization explained in the video.AsPeeXXXVIII wrote: ↑Thu Apr 11, 2019 4:07 pm Never actually heard of anyone utilizing MiniDiscs in their workflow. That fact alone earns you props from me.
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- KVRist
- Topic Starter
- 94 posts since 4 Jun, 2013
I am on the same boat. 20 years ago, I recorded guitar into Pandora into MiniDisc to save song ideas. You can still buy discs but they are expensive. I still have a decent collection of recorded and blank discs, so that should not be a problem.thecontrolcentre wrote: ↑Thu Apr 11, 2019 4:27 pm I used them for recording stereo mixes until I got my first PC ... after that I recorded gigs and location stuff on minidisc. Not for the last 15 years or so. Can you still get the discs?
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- KVRist
- Topic Starter
- 94 posts since 4 Jun, 2013
mcbpete wrote: ↑Thu Apr 11, 2019 5:17 pm A minidisc and a mic was my first field recording setup ! One music workflow tip I've heard with a minidisc was to record an improvisation, then use the split function to turn the recording into 99 split tracks and then put the thing on random play for musical ideas
OOops, should've seen the video first - That's exactly what's demonstrated at 2:25
I have not listened to many of my discs but I clearly remember doing some field recording. It will be fun if I can find that. And yes, that randomization function is very tempting.vurt wrote: ↑Thu Apr 11, 2019 5:13 pm yeah, for either field recording, or playback of said field recordings through hw fx.
had a friend who used one as a make shift sampler on stage, loaded up several speech samples, then for tracks he would press play to hear charlton heston read the ten commandments then play his music...
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- KVRian
- 1262 posts since 15 May, 2002 from Finland
I used to go around a lot field recording sounds on MD in the early and mid 2000s.
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- KVRist
- 452 posts since 8 Jul, 2004
MD devices might work for plain recording. If you start to chop samples and pitch them +/- 1 octave, you will get bitten by ATRAC, the lossy MD compression. DAT (lossless) was worlds ahead.
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- KVRAF
- 15135 posts since 7 Sep, 2008
I used one as my first ghetto sampler.
"I was wondering if you'd like to try Magic Mushrooms"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
"Oooh I dont know. Sounds a bit scary"
"It's not scary. You just lose a sense of who you are and all that sh!t"
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phoenixdenim45 phoenixdenim45 https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=439307
- KVRer
- 8 posts since 15 Apr, 2019 from seattle
Oh man. I still have my sony MZ-R700 and MS907 mic that I used to use for field recording. It definitely wasn't very practical once the wave of cheap digital recorders started coming out. But that slicing/random feature he's using is a great creative idea. Sounds like a lot of that lofi quality is coming from his dictaphone which is also cool...I never found the minidisc recordings to have much of their own character.