Which plugins are on your stereo bus? Why?
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- KVRist
- Topic Starter
- 110 posts since 25 Sep, 2018
Just curious which plugins you guys choose to use on your stereo bus and why?
Maybe add why you use that specific plugin compared to other ones that sort of do the same thing
Maybe add why you use that specific plugin compared to other ones that sort of do the same thing
- KVRian
- 1100 posts since 9 Jan, 2015 from NY, NY
None. I’ll take my final mix into iZotope Ozone to master it and that’s the only place I’ll put anything on the master bus.
Sweet child in time...
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- KVRian
- 1158 posts since 6 Jan, 2015 from London, England
Ozone Elements and Youlean Loudness Meter does it for me.
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- KVRAF
- 4709 posts since 26 Nov, 2015 from Way Downunder
SPAN
ISOL8
Tonal Balance Control
sometimes a VU meter
sometimes that Vengence CM Scope suite
ISOL8
Tonal Balance Control
sometimes a VU meter
sometimes that Vengence CM Scope suite
- KVRAF
- 10293 posts since 3 Feb, 2003 from Finland, Espoo
.. you pussies.
MJUC
SDRR2
Pro-Q3
Acustica Audio various bits and pieces depending on track (usually 2 to 5 plugins)
Kush preamps in standby in case I need some more fluff
Kazrog TrueIron (almost always engaged)
Overloud 670 in standby
FuseAudio VCL-864U and VQA-154
Somekind of reverb on standby for tiny amounts of extra glue (very low level, down into the noisefloor).. usually Seventh Heaven
Thimeo Stereo Tool on standby for "secret sauce" stereo manipulation and possible clipping as well
DMG Audio secret plugin
Pro-L2 for limiting
.. not necessarily in this order.
I'll be adding Gullfoss as soon as it hits Windows.
MJUC
SDRR2
Pro-Q3
Acustica Audio various bits and pieces depending on track (usually 2 to 5 plugins)
Kush preamps in standby in case I need some more fluff
Kazrog TrueIron (almost always engaged)
Overloud 670 in standby
FuseAudio VCL-864U and VQA-154
Somekind of reverb on standby for tiny amounts of extra glue (very low level, down into the noisefloor).. usually Seventh Heaven
Thimeo Stereo Tool on standby for "secret sauce" stereo manipulation and possible clipping as well
DMG Audio secret plugin
Pro-L2 for limiting
.. not necessarily in this order.
I'll be adding Gullfoss as soon as it hits Windows.
"Wisdom is wisdom, regardless of the idiot who said it." -an idiot
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- KVRAF
- 4709 posts since 26 Nov, 2015 from Way Downunder
Hah! Only if I'm not producing, mixing and mastering in the same session file. Otherwise it's a clean master bus for export and importing into a new mastering sesh.
Which mode in True Iron do you use on the master? I bought it recently but I'm finding it a bit weird on a whole mix, even at 5-10% mix. Was expecting subtle but it's not really.
Which mode in True Iron do you use on the master? I bought it recently but I'm finding it a bit weird on a whole mix, even at 5-10% mix. Was expecting subtle but it's not really.
- GRRRRRRR!
- 15847 posts since 14 Jun, 2001 from Somewhere else, on principle
The first thing I add to any project is a brick wall limiter, the one that comes with Orion, on the main output. That way I don't have to worry about levels until I am ready to worry about levels. When we play live, most of our songs have that limiter plus Slam Dawg Pro, just to add a bit of spice and glue to the bottom end. When I am ready to render a song, I turn the level down until the brick wall limiter's needle only moves occasionally, so that it takes care of any stupid transients without having an audible effect on the mix. I do my mastering in standalone Ozone, mostly relying on Track Assistant to set it up but also with a bit of my own tweaking. Then I bring it into Audition, where I do final gain matching with the rest of the songs on the album, using Audition's hard limiter effect.
NOVAkILL : Asus RoG Flow Z13, Core i9, 16GB RAM, Win11 | EVO 16 | Studio One | bx_oberhausen, GR-8, JP6K, Union, Hexeract, Olga, TRK-01, SEM, BA-1, Thorn, Prestige, Spire, Legend-HZ, ANA-2, VG Iron 2 | Uno Pro, Rocket.
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- KVRAF
- 1725 posts since 9 Jul, 2014 from UK
Waves L2 limiter just to catch any pesky overs. Nothing else. Save it for 'mastering'.
I wonder what happens if I press this button...
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- KVRist
- 38 posts since 31 Dec, 2018
I mostly have a Tape-Simulation and Abletons Limiter on my master. Tape to get some mojo. Limiter to get peaks. Everything else gets taken care of in Mastering. If I already have something in mind, I‘ll delete the tape.
- KVRian
- 643 posts since 17 Aug, 2015 from Finland
A limiter.
My solo projects:
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
Hekkräiser (experimental) | MFG38 (electronic/soundtrack) | The Santtu Pesonen Project (metal/prog)
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- KVRian
- 1030 posts since 26 Feb, 2018
In reverse order:
- Isone, sometimes (room "feel" in the headphones)
- Span and Youlean meter
- Limiter (say, Barricade)
- Waves NLS (mojo and gentle drive)
- Some gentle compressor, like a varimu or opto, doing less than 2 db GR
- I've been trying to incorporate a mastering eq because I'm trying to learn gentle/broad eq techniques
- Isone, sometimes (room "feel" in the headphones)
- Span and Youlean meter
- Limiter (say, Barricade)
- Waves NLS (mojo and gentle drive)
- Some gentle compressor, like a varimu or opto, doing less than 2 db GR
- I've been trying to incorporate a mastering eq because I'm trying to learn gentle/broad eq techniques
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Mister Natural Mister Natural https://www.kvraudio.com/forum/memberlist.php?mode=viewprofile&u=164174
- KVRAF
- 2830 posts since 28 Oct, 2007 from michigan
in LIVE : Glue w/ slowest attack, fastest release, 4:1 at 50%wet > Overdrive @ 2% wet > EQ8 w/ high pass, low pass & a tiny dip at 200hz > Saturator @ 15% wet > VUMT Dlx @ rms setting for final leveling
peace
peace
expert only on what it feels like to be me
https://soundcloud.com/mrnatural-1/tracks
https://soundcloud.com/mrnatural-1/tracks