i didn't get hung up on anything.you specifically said "high frequency distortion"now you are saying that the "distortion"is broadband,hence why i didn't think you was referring to the noise and was looking for what most people other than yourself would consider distortion.yano,clipping,wavefolding,quantization distortion and the likeIzak Synthiemental wrote: ↑Tue Jan 28, 2020 1:31 pmI think you got hung up on my ambigious use of the term "distortion" initially. It's indeed rather some sort of noise in the lower to low mids segment of the frequency spectrum, not clipping, even though I wouldn't agree on your impression that this sort of noise was "surprisingly useful". Useful in what context and in what function? Definitely disagree on that, as much as I love the general sound of Chow Tape Model on most audio material.TIMT wrote: ↑Tue Jan 28, 2020 4:58 amI don't get what you did specifically to do this but i'm getting nothing that could be considered high frequency distortion on transients approaching nyquist with ChowTapeModel.what i do get though is some really bizarre but surprisingly useful intermodulated noise.maybe that's what you meant by distortion?cause im not hearing any clipping/waveshaping of any sort nor is there any visible in SPAN or an oscilloscope.i even made a similar "chimes"patch with a really long release just to see if this distortion would show up in the release of the harmonics and i came up with nothing other than what i mentioned above (intermodulated noise)Izak Synthiemental wrote: ↑Thu Jan 23, 2020 8:38 pm Hi Jatin and community,
I really accustomed myself to using Chow Tape Model, great sound overall !
So, yesterday I played with some percussive material. When I played a Chimes sound, Chow Tape did not really like it! It seems that the hysteresis model is breaking when confronted with this kind of material. Can anyone test it (use any kind of chimes or closely related sound). On Chimes It sounds overly distorted even at relatively moderate settings, when the hysteresis is barely noticeable on more mid and low frequency kind of material. I guess it has to do with the interaction between the high frequency transients in the chimes and the model.
I'm using v2.0 of Chow Tape, Windows 64 bit VST, Ableton Live 10.1
Info to the mods: can you please move thread to "Effects" section?
Already added a more thorough issue report on GitHub that I would like to refer you to (just seen: Jatin has already responded):
https://github.com/jatinchowdhury18/Ana ... /issues/14
I don't care that you don't agree with what i saw a context for.there was no point you even commenting on that ,but since you are curious,i'll indulge you kitty cat.one thing i like to do is add a kind of bed of instability to rather simple synth sound patches (like chimes for instance)to accomplish this i feed a highpassed copy into a multiplier or a dynamics plugins sidechain with the envelope settings set to almost waveshape that input.usually i have some crazy audiorate stuff on the patch to bring it on the periphery of noise(FM,feedback,AM etc),but not straight white noise.because the noise that is produced from the Hysteresis model in ChowTape seems to be extremely program dependent,it tucks under the dry sound nicely when used as a sidechain trigger so the two blend quite seamlessly and i can imply the dynamics being played softer or harder by riding the volume of the duplicate with ChowTapeModel on it and i can have this occur in the transient or the decay and release stages with the SC input patches volume ADSR amongst other stuff linked to release velocity.not really conventional use of the thing,but you did ask