the welsh child plays one finger upon the lips when presented with the precedent works of man. blewm.
its served others even less
there is so much stuff at low levels in negativland's U2. none of it uses chord theory. no stone temple pilot or debbie gibson fan is ever going to hear it. it took me 3 decades to hear the low stuff in damon edge's blood on the moon and eyes of the zombie king period. alain jourgensen's t'witch is his least mentioned album and says anything i'd ever have to say best the first time. perhaps if we discretise my person as an antimusician, intending to reclaim and refine human attention from distribution, my involvement with music and total disregard for "musical" criteria is clearer. while i agree this translates to more than "a weak spot", there are other factors in distribution which far exceed skill.
my personal (dearth of) musical achievements isn't really on topic here, i spent years making recordings of synthesizers without being concerned that it didn't have much to do with music, and haven't been teh sam since if i'd known then, perhaps i'd balk at being so synth demo focused, but the way it happened is the cosmic order so that's alright. can't say i've gotten everything out of recording i might have thought i wanted but my understanding of what that is modulated tastefully, graciously.