Wind versus ocean waves
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- KVRian
- Topic Starter
- 592 posts since 14 Apr, 2019
I understand how to use noise and key tracking and arpeggios/lfos. But I'm curious if other than the rhythmic quality of ocean waves does anyone do anything different for wind as opposed to waves?
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- KVRAF
- 2008 posts since 11 Aug, 2012 from omfr morf form romf frmo
Wind can have resonance depending on what it may be passing through (for example, look up wind resonance through trees, as well as harmonic sculptures), and the gusts are more chaotic. Also depends if you're modelling microphone wind noise and/or want the wind sound a human ear would hear.
- KVRAF
- 11001 posts since 15 Apr, 2019 from Nowhere
Wind probably modulates faster than waves, and with more variation in speed. Waves might be more regular with speed, but both will vary in depth of modulation and with amplitude variation.
I’d say waves sound ‘thicker’, and probably benefit from stacking of sounds, where wind can sometimes sound a lot thinner.
I’d say waves sound ‘thicker’, and probably benefit from stacking of sounds, where wind can sometimes sound a lot thinner.
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- KVRian
- Topic Starter
- 592 posts since 14 Apr, 2019
Thanks. I'm thinking a forest wind would need to be stretched out (without lowering the freq) as compared to the sound of river rapids. And ocean waves would have a lower pitch. Desert wind would be thinner. Maybe with long reverb.
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- addled muppet weed
- 105776 posts since 26 Jan, 2003 from through the looking glass
reverb suggests some sort of surface to reverberate against to then refelect.
deserts by and large lack any reflective surface.
deserts by and large lack any reflective surface.
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- KVRian
- Topic Starter
- 592 posts since 14 Apr, 2019