Drone sound like this

How to make that sound...
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https://www.beatport.com/track/quantum- ... x/11224692

How to make this drone sounds? Thanks a lot for any instructions :)

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A lot of it is 2 saws, one an octave higher that the other and unison, plus a lot of reverb but not that long of a decay and then low-pass filtering it
CHOOSX Remakes on my Youtube Channel

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Not sure if you mean the bass (not so wide and reverby) or the wide and reverby "drone". I guess the latter.

Personally I would go for FM on that reverby wide drone. Had a quick try with a simple 3 operator stack with feedback, like in Yamaha DX7 algorithms #3 an #4, operators 4. 5 and 6. Ratio's 1:1:1. Carrier OP4 at full level. Modulator OP5 and OP6 at 80%/90% of full level. Fiddle with OP5 and 6 levels a bit. (add feedback if desired/needed). Then add a LONG and WIDE reverb.

BTW The driving bassline could also be an FM patch with feedback.

But...there are many ways to skin a cat.

Here's an exellent free Yamaha DX7 emulation to give it a try with FM:

Digital Suburban - Dexed
https://www.kvraudio.com/product/dexed- ... l-suburban

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Thanks guys! I will try :)

P.S.

Yes - I mean these wide, distorted drone-bass. It's hard for me to call it...

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About the monotonous driving bass.

Just a quick try (also on Dexed FM). Using that same algorithm #4, starting with the "drone"patch settings (metioned before). Turn back OP5 level to about 70 (in Dexed). And OP6 to about 83. OP5 EG Rate 1 to 47 and Rate 4 to 66. EG Level 4 to 0. OP6 L2 and 3=76, L4=0, R1=66, R2=38 (the growl env) You could dial in a bit of a slower attack and a bit of a decay for OP4 (the carrier = the volume envelope) to get a bit more of the pulsating effect. Set feedback to 6 for the overdrive/distorty/growly bit.

But there are other ways to get similar results.

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