The fact that you don't like them anymore doesn't mean that they have become ininsteresting. Many people love the 70s-80s musics, the prog-rock music is still alive in several genres and there are also many genres in simply the pop music, and many musicians make also albums today with these old synths. By the way there is a huge appeal for vintage instruments since the 2007-2010 years until today, either for the real ones from the 70s-80s either for their current emulations. Think all the Moog emulations, the Prophet emulations, the Roland emulations, the Fairlight CMI emulations, the ARP (2600, Odyssey, Solina...) emulations, the DX7 emulations, the Oberheim emulations, etc. Think of Arturia, U-He, Xils, etc. who make a lot of activity with these vintage emulations. It's not by accident nor by betting at the poker that they invest so much money on this market, it is because there is a real musical activity, and not only amateur but also professional.JerGoertz wrote: ↑Mon Jul 22, 2019 8:21 pm I'm gonna voice a somewhat less enthusiastic opinion than some here: most of these plugins are over a decade old, and graphics issues aside, they do show their age sonically (at least the strictly analog emulations PolySix and MS-20). They don't sound _bad_, but I never really even think about using them anymore.
The Odyssey emulation however has a top-notch sound.
It means that there is a huge market today for all these "aged" sounds, and not only to make "aged" music, because there are even house, techno, hip-hop, etc. musicians who use them today.
Yes, because they are not used only by 60 years old nostalgic users, they are also used by very young and very active current musicians. It is a mistake to think that only the ultra-modern synths are able to be used in modern current music.
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