Hehe thanks. I can't take all the credit though. Like I said in that post with the example I closely followed the information and general synthesis philosophy of the Sound on Sound synth secrets series. It goes into quite a lot of detail in what constitutes a "realistic" piano and how achieve something like that with synthesis. The main problem was making the whole sound play nicely over the full range of 88 keys with somewhat realistic timbre changes of velocity. Probably about half of the modulation routings are dedicated to this task alone.Jorgeelalto wrote: ↑Sat Dec 22, 2018 11:18 pm Dude that piano sounds incredibly realistic, you have my sound design respect forever
Cheers!
bM