February Contest: Submissions

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Radio Radio

In honor of World Radio Day this month's entry should be about radio.

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Submissions MUST follow these rules:

1 - Encoded in either .mp3 or .ogg format.

2 - A STRICT MAXIMUM of three minutes in length. If it shows up as 3:01 in my player, it's getting the boot.

3 - entered into the contest by posting a DIRECT LINK (note: THIS MEANS A DOWNLOAD LINK) in this RULES & SUBMISSIONS thread (use the GOSSIP thread for everything else). If you cant provide a direct link, please contact one of the following people listed below, they will be happy to help you out. These people provide free hosting for the purpose of this contest only! They are not a hosting service. When contacting these people, please take the effort to understand the terms and conditions they provide.

Providers:
1 - knockman
2 - watto
3 - slartibartfast

In addition...
http://www.kara-moon.com/forum has offered "self service" space. Log into the forum to find out more.

4 - Submitted by early a.m. (US Central Time) Thursday, February 25th, 2016.

5 - Your entry must be composed specifically for this contest (or, if a cover, arranged/recorded specifically for this contest).

6 - Your entry must be created using at least some audio plugins, virtual synths, or software studio.

7 - Your entry should have the FILE named in a format of "yearmonth_artistname_tracktitle" (eg "1602_LesHopeandHisBandofJoy_QuietlyYoursErnestChappell.mp3"), where the artistname is the same as your KVR name. Please do not use spaces and special characters in the filename. Special considerations will be given to those that have the hosting agent change the file name.

8 - If you are going to tag your mp3--and you should--the artist name is to be the same as your KVR name, and the title tag is to be the name of your tune.

9 - One person can participate either with one entry, with one entry and one collaborative effort or with two collaborative efforts.

10 - Every submission has to be tagged with:
a) used instruments (virtual and 'real')
b) players' and singers' names (if other than entrant; collabs are allowed, sometimes encouraged, but they must be credited)
c) origin of loops and samples, if they're not free of copyright (this includes CreativeCommons material; please read and follow the license of the samples and loops you use); naming the origin of copyright free loops is also encouraged, but not mandatory. Please only use samples you are legally entitled to use.
d) name(s) of composer(s) -- if an entry is a cover this should be noted in the file name and/or the mp3 "Title" tag as well as the submission post (not everyone reads the submission posts).

11 - If there are strong doubts about the origin of the composition or parts of it, the participant should have the possibility to send a project file to the moderator, who could give it to a trustworthy person with the right host to examine it. Important: the participant should not be forced to do it.

12 - No resubmissions without permission from the moderator, INCLUDING for time-overage correction. Please PM me for permission.

13 - Any tracks not adhering to these guidelines will be very naughty indeed. Possibly disqualified upon peer review. And at least mocked for all to point and giggle.

14 - Voting (members must have at least 20 posts to vote ... although contest entrants are exempt from this ruling) will run from the submission deadline until early a.m Tuesday, March 1st. Anyone voting for themselves will find ALL their votes disqualified; any entrants not voting will also be disqualified.

If you have questions, send a private message to D.H. Miltz or ask in the gossip thread.
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PRIZES

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Quinto from SKNote Software Sound Synthesis has donated any one of his plugins for the contest this month. (and later months until further notice). Thank you, Quinto.

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Michel Rouzic the developer of Photosounder has donated a copy (with noncommercial license) of Photosounder, a copy of SplineEQ, or a copy of Spiral (until further notice).

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Varazuvi has donated a copy of Acoustic Guitar Pro for this March's contest (and later months until further notice). Thanks, Varazuvi.

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Uncle E from JRR Shop has donated a copy of SONiVOX Pulse, SONiVOX Wobble, or SONiVOX Twist for May's contest (and later months until further notice).
No longer a moderator.

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I guess I'll go first this month. I decided to do a track celebrating the next great leap in radio technology: interstellar radio!

https://soundcloud.com/davidstiles/interstellar-radio

Direct download link:
http://ec-media.sndcdn.com/Hxlphd4obEey ... cee9fb32ad

Stuff I used:

DAW: Mulab 6

Instruments:

Native Instruments Skanner XT (Reaktor 6)
u-he Zebralette
Soundiron Drip and Montclarion Hall Grand Piano
Cinesamples Cineorch
8Dio Adagietto
Spitfire Sacconi String Quartet

Additional processing and mp3 conversion by Audacity

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In a near future, a radio machine took over the world, this is the story…
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Radio Dancing Machine
https://drive.google.com/file/d/0B0e3jl ... sp=sharing

https://soundcloud.com/psyerichybrid/ra ... ne/s-MAobp

Bazille, Arturia Vintage Drum machine, Fusion Field, REAEQ, ReaFir, Soundtoys Éffectrack, Limiter. Free sample, my vocals.

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Crystal Set Time Machine


Last section :
HW:
Fender Stratocaster, DIY strat, Tech21 GT2, H&K Tubemeister 5, EHX DoctorQ, Vantage bass, Rocktron Chameleon
SW :
NI Bandstand, NI Battery, Glaceverb, KeFir, LFX-1310, Kjarehus classic bundle, Fusion Field

From start -> ~2 min.
Samples :
My old contest entries :
1309_New_Berlin_school
1302_Surf&Turf
1409_Inside_The_Swamp-King_Shack
1410_Unlit_colors
1406_Depth_Of_The_Sea

http://www.freesound.org/people/GowlerM ... ds/262267/
http://www.freesound.org/people/Efecto% ... ds/187908/
http://www.freesound.org/people/JonnyTh ... ds/260449/
http://www.freesound.org/people/AlienXXX/sounds/260685/
http://www.freesound.org/people/kwahmah ... ds/255851/
http://www.freesound.org/people/arseniiv/sounds/321511/
http://www.freesound.org/people/AlienXXX/sounds/253410/
http://www.freesound.org/people/mwirth/sounds/89945/

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Crackup

http://soundcloud.com/nickel-smith/1602 ... p/download

nonplayer link: https://api.soundcloud.com/tracks/24728 ... YYO50NUGpJ

When I first moved to New Jersey my girlfriend lived a half hour away on the New Jersey Turnpike. It was like driving in total blackness, surrounded by refineries, swamps, garbage dumps and whatnot. It is hard to describe. There is nothing like being alone in the dark in your car listening to all the weird stuff on the radio. That's what this piece is about. It's a newly concocted piece of montage/mashup with an original sound track.

Source material: Sound effects courtesy Freesound.org; Radio bits courtesy the "Old Time Radio Researchers Group" Library (public domain). Music is original, produced from East West Libraries, re-sampled on MOTU Machfive and processed.
Last edited by Nickel Smith on Thu Feb 18, 2016 6:08 am, edited 1 time in total.

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Waltz for AM

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http://k003.kiwi6.com/hotlink/mohu7dxp5 ... zforam.mp3

In the Golden Age of Radio, millions gathered around their tinny radio sets eager for the sweet woody sound of the clarinet. From hot swing to sentimental ballads, jazz music filled every home - and it did so as a carrier signal, in the modulation of amplitude of various radio frequencies. Enjoy this homage to the bygone era of AM radio, featuring saxes, trumpets, piano, upright bass, drums, and clarinet.

Instruments:
Kontakt Factory Selection: Ragtime Piano, Upright Bass
Chris Hein Horns Compact: Saxophones, Trumpets, Clarinet
Sampletank 3: Vintage Jazz drumkit

FX:
iZotope Vinyl, ReaVerb, ReaComp, ReaXcomp
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Hi all,

I've participated in the past in the One Synth Challenge, but wanted to try something where I could use some hardware, too... so I hope you don't mind that I'm crashing your party! :party:

The track is called "Radio Satellite" and it started with a bit of static and a sample of an old vibraphone radio jingle.

Soundcloud link:

https://soundcloud.com/bluerobotmusic/radio-satellite

Download link:

https://drive.google.com/file/d/0Bx52yY ... sp=sharing

This is an original track composed for this competition. I used an Octatrack, a Blofeld, a Slim Phatty, Mother 32, and various other modular gear (Braids, tELHARMONIC, Warps, Clouds, Erbeverb), as well as Ableton Live to record/mix/master including Diva, Maschine 2, loads of Ableton Fx, plus Sigmund, and Ozone 6.

Samples used include various radio-related sounds from freesound.org, and some percussion samples which I bought from Audio Modern (Sync 3).

Please let me know if I need to provide more detail or if I've done anything horribly wrong!

Cheers,

Blue Robot

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Radio RIP

DAWs
Tracktion 2
Reason 3

Instruments
Peavey electric guitar
Epiphone acoustic guitar
Shure SM57 mic

Plug-Ins
Tracktion Compressor & 4-Band Equaliser
Kjaerhaus Classic Chorus & Reverb
can't sing, can't play, looks awful.....

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Frequency

https://soundcloud.com/shangsean/frequency

http://k003.kiwi6.com/hotlink/bggztfecy ... quency.mp3

Created in Reaper using:

Kontakt (Shortwave, Big Bad Bass, Earth EDNA, Grit Kit, Evolve, Elements, The Pentodian Choir, Jennings MKII)
Trash 2
Camel Space
Camel Phat
Roundtone
Alloy 2
Supercharger
EAReverb
Ozone 5

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Someday You And I

https://soundcloud.com/erictracks/2016_ ... dayyouandi

http://www.erictracks.com/wp-content/up ... ouandI.mp3

This one's about a spy, hiding his identity among unknowing neighbors, going slightly crazy, and falling in love with the voice on his assigned shortwave numbers station (a frequency where, if you tune in at a certain time, you'll hear numbers or other code being spoken). Speculation is, these radio stations might be used for espionage purposes. In the interest of (hopefully) clarifying the meaning of my vocals, I posted the lyrics here: http://www.erictracks.com/someday-you-and-i/

VIs: Arturia Mini V and Oberheim SEM, NI Scarbee Mk1, and Addictive Drums.
I's: electric and bass guitars, amp, sm57, cheap condenser

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