Driving Techno Bassline
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- KVRist
- Topic Starter
- 99 posts since 12 Sep, 2014
I've been trying to make some heavy driving techno lately and cannot for the life of me get the bassline down. I can get the kick and percussion down, but cannnot get the bassline. The basslines that I am trying to get are like these:
1:04
https://www.youtube.com/watch?v=L1IQpMspSt4
4:17
https://www.youtube.com/watch?v=QxZfGxEx_Tg
3:03
https://www.youtube.com/watch?v=7GpCVU2vlYg
A lot of times the bass line isn't even prominent but throughout the tracks there always seems to be some kind of pumping white noise thing going on. I know how to use sidechain compression but I can't seem to really pinpoint the exact sound/groove of the bass. Sometimes it could even be some low pass filitered toms/perc patterns. Is there any white noise sidechain going on? Possibly a long white noise sample and with a 1/4 sidechain LFO going on during the basslines to give that pump? I also cant seem to get the patterns down the bassline. My main genre is trance so most basslines are just triplets and everything on the grid.
1:04
https://www.youtube.com/watch?v=L1IQpMspSt4
4:17
https://www.youtube.com/watch?v=QxZfGxEx_Tg
3:03
https://www.youtube.com/watch?v=7GpCVU2vlYg
A lot of times the bass line isn't even prominent but throughout the tracks there always seems to be some kind of pumping white noise thing going on. I know how to use sidechain compression but I can't seem to really pinpoint the exact sound/groove of the bass. Sometimes it could even be some low pass filitered toms/perc patterns. Is there any white noise sidechain going on? Possibly a long white noise sample and with a 1/4 sidechain LFO going on during the basslines to give that pump? I also cant seem to get the patterns down the bassline. My main genre is trance so most basslines are just triplets and everything on the grid.
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- Banned
- 1236 posts since 8 Apr, 2013
With quick listening with crappy pc speakers I'd say that
1. heavily filtered subsound. May be square with tiny filter envelope to make it bit plucky.
2. this sound isn't basically bass.. It's done with reverb from kick (can't find the tutorial in my mind quickly so help yourself
3. If I hear right, there's some low offbeat sine. On top some layered, downpitched and filtered percussions etc.
1. heavily filtered subsound. May be square with tiny filter envelope to make it bit plucky.
2. this sound isn't basically bass.. It's done with reverb from kick (can't find the tutorial in my mind quickly so help yourself
3. If I hear right, there's some low offbeat sine. On top some layered, downpitched and filtered percussions etc.
- KVRAF
- 3261 posts since 27 Mar, 2010 from UK
Definately a lot of multi side chaining on the sounds and reverb for various parts.
The bass sounds like a bass with an arp and short decay. May be a virus Ti but I could be wrong.
In a basic form, this track sounds like it has several instances on various parts sidechaining multiple reverbs sends on the noise sweeps and other sounds. so In basic terms :
I think you need to experiment with arp, swing, sidechain compression and filters with lots of nice automation, overall listening to track 1. Track 3 is most definately sidechain compression with pump. Something like fabfilter Pro G can do this. But you may have stock plugins that are more than capable depending on your daw.
I'd say youtube sidechaining. Listen to the sounds and construction.
The bass sounds like a bass with an arp and short decay. May be a virus Ti but I could be wrong.
In a basic form, this track sounds like it has several instances on various parts sidechaining multiple reverbs sends on the noise sweeps and other sounds. so In basic terms :
I think you need to experiment with arp, swing, sidechain compression and filters with lots of nice automation, overall listening to track 1. Track 3 is most definately sidechain compression with pump. Something like fabfilter Pro G can do this. But you may have stock plugins that are more than capable depending on your daw.
I'd say youtube sidechaining. Listen to the sounds and construction.
- KVRist
- 425 posts since 23 Aug, 2012 from Way Out West
https://www.youtube.com/watch?v=n9SnWChDAHw
https://www.youtube.com/watch?v=DZADIC5tCGc
Check the channel of the 2nd vid..... Those guys have a few other good tutorials.
https://www.youtube.com/watch?v=DZADIC5tCGc
Check the channel of the 2nd vid..... Those guys have a few other good tutorials.
- KVRian
- 641 posts since 26 May, 2008 from Iceland.
For the sub heavy Techno kick send the kick to a convolution reverb followed by a lowpass filter and a compressor that is sidechained to the kick and be sure keep that all in mono.
I mostly use NI Reflektor but sometimes I use Max4Live convolution reverb, algorithmic reverbs work to but with convolution every hit sounds the same and for bass that is essential imo.
Just make sure the base of your sounds are strong otherwise it will all end up sounding thin and weak, I mostly use Softube Modular these days and the kick's, tom's and basses coming out of that are just on another level to other Vsti's and it's just the perfect synth for Techno. I f**king love making kicks with that thing.
Here's a short 1 min example, everything is Modular except one instance of Arcsyn.
https://drive.google.com/open?id=0B9FRI ... 0lkNVppMms
I mostly use NI Reflektor but sometimes I use Max4Live convolution reverb, algorithmic reverbs work to but with convolution every hit sounds the same and for bass that is essential imo.
Just make sure the base of your sounds are strong otherwise it will all end up sounding thin and weak, I mostly use Softube Modular these days and the kick's, tom's and basses coming out of that are just on another level to other Vsti's and it's just the perfect synth for Techno. I f**king love making kicks with that thing.
Here's a short 1 min example, everything is Modular except one instance of Arcsyn.
https://drive.google.com/open?id=0B9FRI ... 0lkNVppMms
"People are stupid" Gegard Mousasi.
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- KVRian
- 540 posts since 28 Oct, 2014
i always go the white noise route.
in fact, you can hear it at the start of your 2nd song you posted. just a kick and a rumble.
you can do this with reverb, but imo white noise is better because it contains all the frequencies, and it wont magnify certain bass notes when they fall on top of it.
just sample a section of noise and load it into a sampler that lets you draw custom volume envelopes, or use something like volumeshaper to create the curve you want
in fact, you can hear it at the start of your 2nd song you posted. just a kick and a rumble.
you can do this with reverb, but imo white noise is better because it contains all the frequencies, and it wont magnify certain bass notes when they fall on top of it.
just sample a section of noise and load it into a sampler that lets you draw custom volume envelopes, or use something like volumeshaper to create the curve you want
- KVRAF
- 2147 posts since 30 Oct, 2006 from Australia, NSW
Go and learn all about side chain compression and not just the pumping effect but hi speed to pull the bass line out of the way of the kick i.e. no attack no release max compression
http://www.voltagedisciple.com
Patches for PHASEPLANT ACE,PREDATOR, SYNPLANT, SUB BOOM BASS2,PUNCH , PUNCH BD
AALTO,CIRCLE,BLADE and V-Haus Card For Tiptop Audio ONE Module
https://soundcloud.com/somerville-1i
Patches for PHASEPLANT ACE,PREDATOR, SYNPLANT, SUB BOOM BASS2,PUNCH , PUNCH BD
AALTO,CIRCLE,BLADE and V-Haus Card For Tiptop Audio ONE Module
https://soundcloud.com/somerville-1i