+1aciddose wrote:The method used to apply filter saturation in Xhip is unique, and I have not yet heard it anywhere else.
And Kairatune
+1aciddose wrote:The method used to apply filter saturation in Xhip is unique, and I have not yet heard it anywhere else.
Over-clarity also bothered me when I started trying out soft-synths. Character compressors and effects help a bit to add some character, but I know what you mean.Hemmick Reef wrote:Too much clarity tends to lack character. If I add a little noise or distortion to a sound it seems to add some other layer of interest. A dx7 had an individual sound even though it was digital- it came from the converters. I've just bought VSM and I'm sure the pleasant sound comes from subtle imperfections. Maybe they build that into the Korg MS-20 filter.
Thanks, though I don't understand half of all that lingo, I am impressed!nix808 wrote:Heya Synchanter, nice nick 8D
If things are sounding sterile and coldly digital-
tape seems to me to make them more organic/random
It is possible to get an indiscernible noise floor.
Other things it can do is saturate,soften/smudge and DC offset remove
I have been using it recently, mainly to modify offsets,
but for sterility/machinelike I recommend it too
my god- I didn't realise I was capable of this subjective analogue/digital lingo,
don't mean to stir the pot, just some advice on getting away from square forms on track length waves
just one thing, clarity is desirable to many. A wave without aliases in VST is kinda hard to do
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